Sunday, November 6, 2011

Before Sunrise

  • BEFORE SUNRISE (DVD MOVIE)
BEFORE SUNSET - DVD MovieIn 1994, director Richard Linklater (Dazed and Confused, Waking Life) made Before Sunrise, a gorgeous poem of a movie about two strangers (played by Ethan Hawke and Julie Delpy) wandering around Vienna, talking, and falling in love. Ten years later, Linklater, Hawke, and Delpy have returned with Before Sunset, which reunites the same characters after Hawke has written a book about that night. Delpy appears at the final book reading of his European tour; they have less than two hours before Hawke has to catch a flight to New York...and in that time, they walk around Paris, talk, and fall in love all over again. It sounds simple, perhaps dull, but it's written with such skill and care and acted with such richness that it's a miracle of filmmaking. On its own, Before Sunset is moving and wonderful; seen right ! after Before Sunrise, it will break your heart. --Bret FetzerA heartbroken young Texas journalist meets a beautiful French student on a train bound for Paris, and invites her to share his last night in Vienna.
Genre: Feature Film-Drama
Rating: R
Release Date: 6-NOV-2001
Media Type: DVDThis romantic, witty, and ultimately poignant glimpse at two strangers (Ethan Hawke and Julie Delpy) who share thoughts, affections, and past experiences during one 14-hour tryst in Vienna somehow remains writer/director Richard Linklater's (Dazed and Confused, Slacker) most overlooked gem. Delpy, a stunning, low-key Parisian, meets the stammering American Hawke, as the two share a Eurorail seat--she's starting school in Paris, he's finishing a vacation. Their mutual attraction leads to an awkward meeting (beautifully played by each performer), and Hawke suggests that Delpy spend his remaining 14 hours in Vienna with him.

! Typically, this skeleton is as much plot as Linklater provide! s; as us ual, he's more interested in concentrating his talents on observing the casual, playful conversations between his leads. His tight time frame allows the characters to say anything to one another, and topics ranging from politics to past romances to fears of the future flow with subtle finesse. The short time frame is also cruel, however, because beneath this love affair lies the painful reality that the two most likely will never see each other again and will be left only with memories--an idea Linklater drives home with an effective snapshot conclusion.

Hardly the trite Gen-X bitch session that many '90s films using this approach become, the film feels more like a Bresson or Rohmer piece, containing sharp perceptions--and flawed humans rather than stereotypes. The protagonists' frank revelations and heated exchanges flow in a stream-of-consciousness style, and its no accident that Linklater set the film in Vienna, where Freud invented and practiced psychotherapy. --! Dave McCoyStudio: Warner Home Video Release Date: 11/09/2010This romantic, witty, and ultimately poignant glimpse at two strangers (Ethan Hawke and Julie Delpy) who share thoughts, affections, and past experiences during one 14-hour tryst in Vienna somehow remains writer/director Richard Linklater's (Dazed and Confused, Slacker) most overlooked gem. Delpy, a stunning, low-key Parisian, meets the stammering American Hawke, as the two share a Eurorail seat--she's starting school in Paris, he's finishing a vacation. Their mutual attraction leads to an awkward meeting (beautifully played by each performer), and Hawke suggests that Delpy spend his remaining 14 hours in Vienna with him.

Typically, this skeleton is as much plot as Linklater provides; as usual, he's more interested in concentrating his talents on observing the casual, playful conversations between his leads. His tight time frame allows the characters to say anything to one another, and topic! s ranging from politics to past romances to fears of the futur! e flow w ith subtle finesse. The short time frame is also cruel, however, because beneath this love affair lies the painful reality that the two most likely will never see each other again and will be left only with memories--an idea Linklater drives home with an effective snapshot conclusion.

Hardly the trite Gen-X bitch session that many '90s films using this approach become, the film feels more like a Bresson or Rohmer piece, containing sharp perceptions--and flawed humans rather than stereotypes. The protagonists' frank revelations and heated exchanges flow in a stream-of-consciousness style, and its no accident that Linklater set the film in Vienna, where Freud invented and practiced psychotherapy. --Dave McCoy

I Love BRIGHAM CITY, UTAH City Limit Sign - 4 x 18 inches

  • Aluminum Brand New Sign
  • 4 x 18 inches
  • Rounded Corners
  • Predrillied for Hanging
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Richard Dutcher’s Brigham City is a rare find in the recent onslaught of murky religion-based thrillers and Satanic conspiracies--a modern crime thriller with a powerful and passionate spiritual message. In some ways it plays like a contemporary Western, with Dutcher as the upright county sheriff and local church bishop of a rural Utah town terrorized by a serial killer. Like the marshal of a peaceful frontier community, he first tries to shield his town from the horror, then pulls the good churchgoing citizens into a veritable posse. His cinematic skills may be a bit clumsy and his modern take on frontier justice naïve, but his heart is in the right place. He creates a portrait of family values, community ties, and neighborly caring with an honest, unaffect! ed forthrightness. Ultimately, fear and suspicion is the real snake in Eden. --Sean AxmakerRichard Dutcher’s Brigham City is a rare find in the recent onslaught of murky religion-based thrillers and Satanic conspiracies--a modern crime thriller with a powerful and passionate spiritual message. In some ways it plays like a contemporary Western, with Dutcher as the upright county sheriff and local church bishop of a rural Utah town terrorized by a serial killer. Like the marshal of a peaceful frontier community, he first tries to shield his town from the horror, then pulls the good churchgoing citizens into a veritable posse. His cinematic skills may be a bit clumsy and his modern take on frontier justice naïve, but his heart is in the right place. He creates a portrait of family values, community ties, and neighborly caring with an honest, unaffected forthrightness. Ultimately, fear and suspicion is the real snake in Eden. --Sean AxmakerRichard Dutch! er’s Brigham City is a rare find in the recent onsla! ught of murky religion-based thrillers and Satanic conspiracies--a modern crime thriller with a powerful and passionate spiritual message. In some ways it plays like a contemporary Western, with Dutcher as the upright county sheriff and local church bishop of a rural Utah town terrorized by a serial killer. Like the marshal of a peaceful frontier community, he first tries to shield his town from the horror, then pulls the good churchgoing citizens into a veritable posse. His cinematic skills may be a bit clumsy and his modern take on frontier justice naïve, but his heart is in the right place. He creates a portrait of family values, community ties, and neighborly caring with an honest, unaffected forthrightness. Ultimately, fear and suspicion is the real snake in Eden. --Sean AxmakerI Love BRIGHAM CITY, UTAH City Limit Sign. Made of Aluminum and High Quality Vinyl Letters and Graphics. This sign is 4 x 18 inches. Made to last for years outdoors, the sign is nice enough to di! splay indoors too, comes with two holes pre-punched for easy installation and the corners are rounded. The item shipped will be exactly as shown in the picture (Unless you notify us otherwise i.e. a custom made order)

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In 1964, a brash new pro boxer, fresh from his olympic gold medal victory, explodes on to the scene, Cassius Clay. Bold and outspoken, he cuts an entirely new image for African American's in sport with his proud public self confidence with his unapologetic belief that he is the greatest boxer of all time. To his credit, he sets out to prove that with his highly agile and forceful style soon making him a formidable boxer who soon claims the heavyweight championship. His personal life is no less noteworthy with his allegiance to the Nation of Islam, his friendship with the controversial Malcolm X and his abandonment of his slave name! in favour of Muhammad Ali stirring up controversy. Yet, at the top of his game, both Ali's personal and professional lives face the ultimate test with the military draft rules are changed, making him eligible for military induction during the Vietnam War. Despite the fact that he could easily agree to a sweetheart deal that would have meant an easy tour of duty for himself, Ali refuses to submit on principle to cooperate in an unjust war for a racist nation that treated his people so poorly. The cost of that stand is high as he finds himself unable to legally box in his own country while his case is contested in court. What follows is a battle for a man who would sacrifice so much for what he believes in and a comeback that would cement his legend as one of the great sports figures of all time.Ali is a rush of charm, violence, and well-crafted mythmaking sure to enthrall. From the unforgettable surge of the opening--a 10-minute montage of sheer brilliance where form! ative scenes from the early life of Cassius Clay float along o! n the ra pture of a live performance by Sam Cooke in a Harlem nightclub--through to Muhammad Ali's departure for Zaire to fight George Foreman, Michael Mann's homage is mostly crisp and fleet-footed. As Clay/Ali, Will Smith acquits himself marvelously due in large part to his uncanny re-creation of Ali's most famous weapon, his mesmerizing voice. Indeed, the best scenes throughout showcase Ali's verbal rather than pugilistic sparring; whether with his entourage (notably Jamie Foxx), Howard Cosell (Jon Voight), or Don King (Mykelti Williamson), Michael Mann's Ali has the same authoritative wit and ability to surprise that so disarmed the public. The news conferences and behind-the-scenes banter are exquisitely re-created; not so Ali's flaws. Mann's attempt to depict Ali's womanizing, his dubious affiliation with the Nation of Islam, and his insatiable need for the spotlight seems halfhearted and laborious in comparison to the film's enlivened adoration of its subject. As the sluggish ! second half of the film betrays, Ali is at its impressionistic best when it's in awe rather than when it explains. --Fionn Meade alli is more than just a pill. It's an innovative weight loss program that works with you, not for you. alli can help you lose 50% more weight than dieting alone, but you have to do your part by changing the way you eat and live to see results. Is the hard work worth it? Yes. With alli you can achieve gradual and healthy weight loss. If you do your part, alli can teach you smart eating and activity habits you can follow for a lifetime.
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