The Departed (Single-Disc Widescreen Edition)

• Leonardo DiCaprio, Matt Damon, Jack Nicholson and Mark Wahlberg star in Martin Scorsese's new crime drama "The Departed." "The Departed" is set in South Boston where the state police force is waging an all-out war to take down the city's top organized crime ring. The key is to end the reign of powerful mob boss Frank Costello (Jack Nicholson) from the inside. A young rookie, Billy Costigan (Leonar

Leonardo DiCaprio, Matt Damon, Jack Nicholson and Mark Wahlberg star in Martin Scorsese's new crime drama "The Departed." "The Departed" is set in South Boston where the state police force is waging an all-out war to take down the city's top organized crime ring. The key is to end the reign of powerful mob boss Frank Costello (Jack Nicholson) from the inside. A young rookie, Billy Costigan (Leonardo DiCaprio) is assigned to infiltrate Costello's mob. While Billy is working to gain Costello's trust, ! another young cop, Colin Sullivan (Matt Damon) is among a handful of elite officers whose mission is to bring Costello down. But what his superiors don't know is that Colin is working for Costello, keeping the crimeboss one step ahead of the police. Each man becomes deeply consumed by his double life, gathering information about the plans and counter-plans of the operation he has penetrated. But when it becomes clear to both the gangsters and the police that they have a mole in their midst, Billy and Colin find themselves in constant danger of being caught-and each must race to uncover the identity of the other man in time to save himself.Martin Scorsese makes a welcome return to the mean streets (of Boston, in this case) with The Departed, hailed by many as Scorsese's best film since Casino. Since this crackling crime thriller is essentially a Scorsese-stamped remake of the acclaimed 2002 Hong Kong thriller Infernal Affairs, the film was intensely scru! tinized by devoted critics and cinephiles, and while Scorsese'! s intens e filmmaking and all-star cast deserve ample acclaim, The Departed is also worthy of serious re-assessment, especially with regard to what some attentive viewers described as sloppy craftsmanship (!), notably in terms of mismatched shots and jagged continuity. But no matter where you fall on the Scorsese appreciation scale, there's no denying that The Departed is a signature piece of work from one of America's finest directors, designed for maximum impact with a breathtaking series of twists, turns, and violent surprises. It's an intricate cat-and-mouse game, but this time the cat and mouse are both moles: Colin Sullivan (Matt Damon) is an ambitious cop on the rise, planted in the Boston police force by criminal kingpin Frank Costello (Jack Nicholson). Billy Costigan (Leonardo DiCaprio) is a hot-tempered police cadet who's been artificially disgraced and then planted into Costello's crime operation as a seemingly trustworthy soldier. As the multilayered plot un! folds (courtesy of a scorching adaptation by Kingdom of Heaven screenwriter William Monahan), Costigan and Sullivan conduct a volatile search for each other (they're essentially looking for "themselves") while simultaneously wooing the psychiatrist (Vera Farmiga) assigned to treat their crime-driven anxieties.

Such convenient coincidences might sink a lesser film, but The Departed is so electrifying that you barely notice the plot-holes. And while Nicholson's profane swagger is too much "Jack" and not enough "Costello," he's still a joy to watch, especially in a film that's additionally energized by memorable (and frequently hilarious) supporting roles for Alec Baldwin, Mark Wahlberg, and a host of other big-name performers. The Departed also makes clever and plot-dependent use of cell-phones, to the extent that it couldn't exist without them. Powered by Scorsese's trademark use of well-chosen soundtrack songs (from vintage rock to Puccini's opera! s), The Departed may not be perfect, but it's one hellu! va ride for moviegoers, proving popular enough to become the biggest box-office hit of Scorsese's commercially rocky career. --Jeff Shannon

Read more »

From the Boiler Room to the Living Room: The Financial Services Revolution and What it Means to You and Your Clients

• ISBN13: 9780470255094
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Sure to make you think twice before responding to the next telephone sales call you receive, this volume explores why telephone boiler rooms and other scams thrive and how fraudulent techniques and deception migrate to and from conventional businesses. "The Boiler Room and Other Telephone Sales Scams" is grounded in the nine years Robert Stevenson spent working covertly as a "participant-observer" in telephone rooms (the ethical implications of which he discusses in an epilogue). As Stevenson details boiler room hierarchy, you'll learn why all boilers are telephone salesmen but not all telephone salesmen are boilers. You'll read about the "heat" rising in rooms where experienced pitchmen use tried-and-! true manipulative techniques to overcome objections to sales. And you'll marvel at Stevenson's insider knowledge of product houses, service shops, and other aspects of a major industry in which both employees and customers are in daily peril-the former of losing their jobs and the latter of losing their money. "The Boiler Room and Other Telephone Sales Scams" is required reading for anyone who's ever picked up a telephone and been asked to buy a product or a service. It's also an invaluable study of a widespread form of deviance and occupational crime, essential reading for students of criminology and the sociology of occupations.Author Mitch Anthony has been recognized as the voice of conscience for the financial services industry. For more than a decade, he has shown advisors how building authentic, genuine relationships can serve clients' best interests and build heathlyâ€"and financially successfulâ€"practices at the same time.

In From the Boiler Room to the Livin! g Room, Mitch examines where the financial services indust! ry has f ailed in the past, and what it needs to do to restore trust at both the individual and industry levels. He teaches readers how to better understand the emotional significance of the money that clients entrust to their advisors and the struggles they face as they attempt to get "more life for their money." The book also discusses why venture philosophy, funding single moments, and rethinking one's purpose in life is more important to clients than net worth or asset allocation. Finally, it discusses how to develop dialogues that forge meaningful, long-term client connectionsâ€"in other words, how to stop selling and start listening.

Read more »

Man Woman & Child

• Screen legends Martin Sheen and Blythe Danner are nothing short of brilliant in this funny, touching, and ultimately life-affirming story of love and redemption. From a masterful script by Love Story author Erich Segal, Man, Woman and Child beautifully, and unflinchingly, tells the story of the perfect family threatened by a dark secret from the distant past. Featuring the gorgeous cinematograp

No children. No future. No hope. In the year 2027, eighteen years since the last baby was born, disillusioned Theo (Clive Owen) becomes an unlikely champion of the human race when he is asked by his former lover (Julianne Moore) to escort a young pregnant woman out of the country as quickly as possible. In a thrilling race against time, Theo will risk everything to deliver the miracle the whole world has been waiting for. Co-starring Michael Caine, filmmaker Alfonso Cuarón’s Children of Men is t! he powerful film Pete Hammond of Maxim calls “magnificent … a unique and totally original vision.”Presenting a bleak, harrowing, and yet ultimately hopeful vision of humankind's not-too-distant future, Children of Men is a riveting cautionary tale of potential things to come. Set in the crisis-ravaged future of 2027, and based on the atypical 1993 novel by British mystery writer P.D. James, the anxiety-inducing, action-packed story is set in a dystopian England where humanity has become infertile (the last baby was born in 2009), immigration is a crime, refugees (or "fugees") are caged like animals, and the world has been torn apart by nuclear fallout, rampant terrorism, and political rebellion. In this seemingly hopeless landscape of hardscrabble survival, a jaded bureaucrat named Theo (Clive Owen) is drawn into a desperate struggle to deliver Kee (Clare-Hope Ashitey), the world's only pregnant woman, to a secret group called the Human Project that hopes to ! discover a cure for global infertility. As they carefully navi! gate bet ween the battling forces of military police and a pro-immigration insurgency, Theo, Kee, and their secretive allies endure a death-defying ordeal of urban warfare, and director Alfonso Cuaron (with cinematographer Emmanuel Lubezki) capture the action with you-are-there intensity. There's just enough humor to balance the film's darker content (much of it coming from Michael Caine, as Theo's aging hippie cohort), and although Children of Men glosses over many of the specifics about its sociopolitical worst-case scenario (which includes Julianne Moore in a brief but pivotal role), it's still an immensely satisfying, pulse-pounding vision of a future that represents a frightening extrapolation of early 21st-century history. --Jeff ShannonSet in 2027, scientists are at a loss to explain why humans can no longer procreate, but the discovery of a lone pregnant woman leads to a desperate journey to protect her and save the future of mankind.
Genre: Featur! e Film-Drama
Rating: R
Release Date: 4-SEP-2007
Media Type: DVDPresenting a bleak, harrowing, and yet ultimately hopeful vision of humankind's not-too-distant future, Children of Men is a riveting cautionary tale of potential things to come. Set in the crisis-ravaged future of 2027, and based on the atypical 1993 novel by British mystery writer P.D. James, the anxiety-inducing, action-packed story is set in a dystopian England where humanity has become infertile (the last baby was born in 2009), immigration is a crime, refugees (or "fugees") are caged like animals, and the world has been torn apart by nuclear fallout, rampant terrorism, and political rebellion. In this seemingly hopeless landscape of hardscrabble survival, a jaded bureaucrat named Theo (Clive Owen) is drawn into a desperate struggle to deliver Kee (Clare-Hope Ashitey), the world's only pregnant woman, to a secret group called the Human Project that hopes to discover a cu! re for global infertility. As they carefully navigate between ! the batt ling forces of military police and a pro-immigration insurgency, Theo, Kee, and their secretive allies endure a death-defying ordeal of urban warfare, and director Alfonso Cuaron (with cinematographer Emmanuel Lubezki) capture the action with you-are-there intensity. There's just enough humor to balance the film's darker content (much of it coming from Michael Caine, as Theo's aging hippie cohort), and although Children of Men glosses over many of the specifics about its sociopolitical worst-case scenario (which includes Julianne Moore in a brief but pivotal role), it's still an immensely satisfying, pulse-pounding vision of a future that represents a frightening extrapolation of early 21st-century history. --Jeff ShannonSet in 2027, scientists are at a loss to explain why humans can no longer procreate, but the discovery of a lone pregnant woman leads to a desperate journey to protect her and save the future of mankind.
Genre: Feature Film-Drama
Rating: R
Release Date: 4-SEP-2007
Media Type: DVDPresenting a bleak, harrowing, and yet ultimately hopeful vision of humankind's not-too-distant future, Children of Men is a riveting cautionary tale of potential things to come. Set in the crisis-ravaged future of 2027, and based on the atypical 1993 novel by British mystery writer P.D. James, the anxiety-inducing, action-packed story is set in a dystopian England where humanity has become infertile (the last baby was born in 2009), immigration is a crime, refugees (or "fugees") are caged like animals, and the world has been torn apart by nuclear fallout, rampant terrorism, and political rebellion. In this seemingly hopeless landscape of hardscrabble survival, a jaded bureaucrat named Theo (Clive Owen) is drawn into a desperate struggle to deliver Kee (Clare-Hope Ashitey), the world's only pregnant woman, to a secret group called the Human Project that hopes to discover a cure for global inf! ertility. As they carefully navigate between the battling forc! es of mi litary police and a pro-immigration insurgency, Theo, Kee, and their secretive allies endure a death-defying ordeal of urban warfare, and director Alfonso Cuaron (with cinematographer Emmanuel Lubezki) capture the action with you-are-there intensity. There's just enough humor to balance the film's darker content (much of it coming from Michael Caine, as Theo's aging hippie cohort), and although Children of Men glosses over many of the specifics about its sociopolitical worst-case scenario (which includes Julianne Moore in a brief but pivotal role), it's still an immensely satisfying, pulse-pounding vision of a future that represents a frightening extrapolation of early 21st-century history. --Jeff ShannonUniversal Pictures Children of Men (Combo HD DVD and Standard DVD) In 2027 as humankind faces the likelihood of its own extinction a disillusioned government agent agrees to help transport and protect a miraculously pregnant woman to a sanctuary at sea where he! r childs birth may help scientists to save the future of mankind.Presenting a bleak, harrowing, and yet ultimately hopeful vision of humankind's not-too-distant future, Children of Men is a riveting cautionary tale of potential things to come. Set in the crisis-ravaged future of 2027, and based on the atypical 1993 novel by British mystery writer P.D. James, the anxiety-inducing, action-packed story is set in a dystopian England where humanity has become infertile (the last baby was born in 2009), immigration is a crime, refugees (or "fugees") are caged like animals, and the world has been torn apart by nuclear fallout, rampant terrorism, and political rebellion. In this seemingly hopeless landscape of hardscrabble survival, a jaded bureaucrat named Theo (Clive Owen) is drawn into a desperate struggle to deliver Kee (Clare-Hope Ashitey), the world's only pregnant woman, to a secret group called the Human Project that hopes to discover a cure for global infertility. A! s they carefully navigate between the battling forces of milit! ary poli ce and a pro-immigration insurgency, Theo, Kee, and their secretive allies endure a death-defying ordeal of urban warfare, and director Alfonso Cuaron (with cinematographer Emmanuel Lubezki) capture the action with you-are-there intensity. There's just enough humor to balance the film's darker content (much of it coming from Michael Caine, as Theo's aging hippie cohort), and although Children of Men glosses over many of the specifics about its sociopolitical worst-case scenario (which includes Julianne Moore in a brief but pivotal role), it's still an immensely satisfying, pulse-pounding vision of a future that represents a frightening extrapolation of early 21st-century history. --Jeff ShannonTold with P. D. James’s trademark suspense, insightful characterization, and riveting storytelling, The Children of Men is a story of a world with no children and no future.

The human race has become infertile, and the last generation to be born is n! ow adult. Civilization itself is crumbling as suicide and despair become commonplace. Oxford historian Theodore Faron, apathetic toward a future without a future, spends most of his time reminiscing. Then he is approached by Julian, a bright, attractive woman who wants him to help get her an audience with his cousin, the powerful Warden of England. She and her band of unlikely revolutionaries may just awaken his desire to live . . . and they may also hold the key to survival for the human race.Screen legends Martin Sheen and Blythe Danner are nothing short of brilliant in this funny, touching, and ultimately life-affirming story of love and redemption. From a masterful script by Love Story author Erich Segal, Man, Woman and Child beautifully, and unflinchingly, tells the story of the perfect family threatened by a dark secret from the distant past. Featuring the gorgeous cinematography of Richard H. Kline (Body Heat, King Kong), Man,! Woman and Child is a beautiful film of love and forgivene! ss with exceptional performances and skillful direction.

Read more »

The Dead Girls' Dance (Morganville Vampires, Book 2)

• ISBN13: 9780451220899
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

There's something about almost dying that makes a girl rethink her priorities. Take Nicki Styxâ€"she was strictly goth and vintage, until a brush with the afterlife leaves her with the ability to see dead people.

Before you can say boo, Atlanta's ghosts are knocking at Nicki's door. Now her days consist of reluctantly cleaning up messes left by the dearly departed, leading ghouls to the Light . . . and one-on-one anatomy lessons with Dr. Joe Bascombe, the dreamy surgeon who saved her life. All this catering to the deceased is a real drag, especially for a girl who'd rather be playing hanky-panky with her hunky new boyfriend . . . who's beginning to think she's totally nuts.

But th! ings get even more complicated when a friend foolishly sells her soul to the devil, and Nicki's new gift lands her in some deep voodoo.

As it turns out for Nicki Styx, death was just the beginning.

Once upon a time, I was a little girl who disappeared.

Once upon a time, my name was not Alice.

Once upon a time, I didn't know how lucky I was.

When Alice was ten, Ray took her away from her family, her friends -- her life. She learned to give up all power, to endure all pain. She waited for the nightmare to be over.

Now Alice is fifteen and Ray still has her, but he speaks more and more of her death. He does not know it is what she longs for. She does not know he has something more terrifying than death in mind for her.

This is Alice's story. It is one you have never heard, and one you will never, ever forget.Claire has her share of challenges. Like being a genius in a school that favors beauty over brains;! homicidal girls in her dorm, and finding out that her college! town is overrun with the living dead. On the up side, she has a new boyfriend with a vampire-hunting dad. But when a local fraternity throws the Dead Girls' Dance, hell is really going to break loose.

Read more »

Che Part One

• blockbuster exculsive

Far from a conventional biopic, Steven Soderberghs film about Che Guevara is a fascinating exploration of the revolutionary as icon. Daring in its refusal to make the socialist leader into an easy martyr or hero, Che paints a vivid, naturalistic portrait of the man himself (with a stunning, Cannes-award-winning performance by Benicio del Toro), from his overthrow of the Batista dictatorship, to his 1964 United Nations trip, to the end of his short life. Originally released in two parts, the first a kaleido-scopic view of the Cuban revolution and the second an all-action dramatization of Che's failed campaign in Bolivia, Che is presented here in its complete form.

Stills from Che (Click for larger image)

Lauded for its documentary approach yet also experimental in nature, Steven Soderbergh's Che spends over four hours chronicling different phases in the revolutionary career of Che Guevara (Benicio Del Toro). In Che: Part One, the successful Cuban campaign is covered, interspersed with glimpses of Guevara's camera-ready visit to New York in the Castro Revolution's aftermath. This section can't help but approximate the outline of a battle epic, despite Soderbergh's anti-romantic approach, and ends up being a sti! rring account of guerrilla action (it also has the bonus of De! mian Bec hir's uncanny impersonation of Fidel Castro). Che: Part Two jumps ahead to Che's grueling later experiences in Bolivia, where he traveled to aid the homegrown insurgents but found much less fertile ground than in Cuba. Here Guevara is--figuratively and visually--lost in the jungle, as Soderbergh reduces the characters and story to a series of factual sequences laid end-to-end. It's not Dr. Zhivago, that's for sure, although it does last longer. By spotlighting two specific sections of Che's life, Soderbergh sidesteps the less heroic aspects of his struggle, including the executions that followed the Cuban Revolution (omissions that brought criticism from anti-Castro Cubans). But the film's approach is so intentionally flat that such criticisms are almost not worth the trouble. And while Benicio Del Toro sinks into the role of the asthmatic jungle fighter with total commitment, his Guevara is an elusive protagonist, seen from a distance except for the scenes in! which he's being turned into a celebrity during his NYC interlude. In short, Che is a very intriguing idea for a movie, and not a terribly engaging film. --Robert HortonREVISED AND UPDATED THROUGHOUT

Jon Lee Anderson's definitive and acclaimed biography of Che Guevara manages to transcend the myth of Che and portray in unrivaled detail a complicated human being. In his quest to discover who the real Che was, Anderson moved to Havana and gained unprecedented access to the personal archives maintained by Che's widow. He spent months with Che's old friends in Argentina, where Che was born into an aristocratic family and went to medical school. He interviewed Che's comrades from battles fought in Cuba and the Congo and Bolivia, and he talked to figures on both sides of the Cold War, in Moscow and in the CIA.

The book completes the epic saga of an extraordinary life. In 1995, Anderson broke the story of how Che's body had been secretly hidden after his! assassination in Bolivia in 1967. He recounts how the body wa! s finall y recovered, thirty years after the murder, brought back to Cuba, and interred in the place Che had won his most famous battle in the Cuban revolution. Meticulously researched, Anderson's book reveals many details of Che's life that were long cloaked in secrecy and intrigue. This edition, which has been carefully revised and updated, has a new introduction and epilogue, new maps, and a new chronology of Che's life.Even to those without Marxist sympathies, Che Guevara (1928-67) was a dashing, charismatic figure: the asthmatic son of an aristocratic Argentine family whose sympathy for the world's oppressed turned him into a socialist revolutionary, the valued comrade-in-arms of Cuba's Fidel Castro and a leader of guerilla warfare in Latin America and Africa. Journalist Jon Lee Anderson's lengthy and absorbing portrait captures the complexities of international politics (revolutionary and counter); his painstaking research has unearthed a remarkable amount of new materi! al, including information about Guevara's death at the hands of the Bolivian military.Far from a conventional biopic, Steven Soderberghs film about Che Guevara is a fascinating exploration of the revolutionary as icon. Daring in its refusal to make the socialist leader into an easy martyr or hero,CHE paints a vivid, naturalistic portrait of the man himself (with a stunning, Cannes-award-winning performance by Benicio del Toro), from his overthrow of the Batista dictatorship, to his 1964 United Nations trip, to the end of his short life. Originally released in two parts, the first a kaleido-scopic view of the Cuban revolution and the second an all-action dramatization of Ches failed campaign in Bolivia, Che is presented here in its complete form.

Stills from Che (Click for larger image)

Lauded for its documentary approach yet also experimental in nature, Steven Soderbergh's Che spends over four hours chronicling different phases in the revolutionary career of Che Guevara (Benicio Del Toro). In Che: Part One, the successful Cuban campaign is covered, interspersed with glimpses of Guevara's camera-ready visit to New York in the Castro Revolution's aftermath. This section can't help but approximate the outline of a battle epic, despite Soderbergh's anti-romantic approach, and ends up being a stirring account of guerrilla action (it also has the bonus of Demian Bechir's uncanny impersonation of Fidel Cas! tro). Che: Part Two jumps ahead to Che's grueling later experiences in Bolivia, where he traveled to aid the homegrown insurgents but found much less fertile ground than in Cuba. Here Guevara is--figuratively and visually--lost in the jungle, as Soderbergh reduces the characters and story to a series of factual sequences laid end-to-end. It's not Dr. Zhivago, that's for sure, although it does last longer. By spotlighting two specific sections of Che's life, Soderbergh sidesteps the less heroic aspects of his struggle, including the executions that followed the Cuban Revolution (omissions that brought criticism from anti-Castro Cubans). But the film's approach is so intentionally flat that such criticisms are almost not worth the trouble. And while Benicio Del Toro sinks into the role of the asthmatic jungle fighter with total commitment, his Guevara is an elusive protagonist, seen from a distance except for the scenes in which he's being turned into a celebri! ty during his NYC interlude. In short, Che is a very in! triguing idea for a movie, and not a terribly engaging film. --Robert Hortonbenicio de toro

Read more »

The Cowboys [Blu-ray]

• A veteren rancher risks everything when he recruits schoolboys to man a dangerous cattle drive. One of John Wayne's solid twilight hits, co-starring Bruce Dern and Colleen Dewhurst. Year: 1972 Director: Mark Rydell Starring: John Wayne, Roscoe Lee Browne, Bruce DernRunning Time: 134 min. Format: BLU-RAY DISC Genre: WESTERN Rating: NR Age: 085391142706 UPC: 0853911427

The Old West.. where a lone cowboy leads an uprising against a terror from beyond our world. 1873. Arizona Territory. A stranger with no memory of his past stumbles into the hard desert town of Absolution. The only hint to his history is a mysterious shackle that encircles one wrist. What he discovers is that the people of Absolution don't welcome strangers, and nobody makes a move on its streets unless ordered to do so by the iron-fisted Colonel Dolarhyde (Ford). It's a town that lives in fear. But Absolution is about to exp! erience fear it can scarcely comprehend as the desolate city is attacked by marauders from the sky. Screaming down with breathtaking velocity and blinding lights to abduct the helpless one by one, these monsters challenge everything the residents have ever known. Now, the stranger they rejected is their only hope for salvation. As this gunslinger slowly starts to remember who he is and where he's been, he realizes he holds a secret that could give the town a fighting chance against the alien force. With the help of the elusive traveler Ella (Olivia Wilde), he pulls together a posse comprised of former opponents-townsfolk, Dolarhyde and his boys, outlaws and Apache warriors-all in danger of annihilation. United against a common enemy, they will prepare for an epic showdown for survival. Cowboys & Aliens fuses rip-snortin' horse opera with some whiz-bang sci-fi, melding dry and austere badlands with slimy, mucusy aliens. Jake Lonergan (Daniel Craig, of James Bond fame)! wakes up in the midst of sagebrush with a mysterious gadget a! round hi s wrist and no idea who he is--but he sure does remember how to take care of the bounty hunters who want to bring him in. His path soon crosses with a ruthless cattle baron named Woodrow Dolarhyde (Harrison Ford, of Indiana Jones fame), who's not too happy with Lonergan, who got Dolarhyde's son in trouble. But their fracas becomes beside the point when spaceships descend and start lassoing people like cattle. The humans, including a mysterious woman (Olivia Wilde, Tron), a Native American tribe, and some snaggletoothed outlaws, band together to fight off this invasion from another world. The first two-thirds of Cowboys & Aliens is peppy fun, with its tongue-in-cheek Wild West-ness and colorful supporting cast (including Sam Rockwell, Keith Carradine, Paul Dano, and Walton Goggins) and fairly understated CGI. The last third, with the obligatory assault on the alien vessel and a mess of clichés and inconsistencies, deflates a bit, which isn't surprising given th! at six screenwriters were involved. Director Jon Favreau (Iron Man) does what he can to keep things lively. Fortunately, the good spirits of the first two-thirds will carry most viewers through to the end. --Bret FetzerDaniel Craig and Harrison Ford star in this action-packed sci-fi western from the director of Iron Man (Jon Favreau) that critics call "wickedly original, unlike anything you've ever seen" (Jake Hamilton, Fox-TV Houston, TX). A stranger (Craig) stumbles into the desert town of Absolution with no memory of his past and a futuristic shackle around his wrist. With the help of mysterious beauty Ella (Olivia Wilde) and the iron-fisted Colonel Dolarhyde (Ford), he finds himself leading an unlikely posse of cowboys, outlaws, and Apache warriors against a common enemy from beyond this world in an epic showdown for survival. Starring: Daniel Craig, Harrison Ford, Olivia Wilde, Sam Rockwell, Adam Beach, Paul Dano, Noah Ringer, Keith Carradine, Clancy ! Brown, Ana de la Reguera Directed by: Jon FavreauCowboys & ! Aliens fuses rip-snortin' horse opera with some whiz-bang sci-fi, melding dry and austere badlands with slimy, mucusy aliens. Jake Lonergan (Daniel Craig, of James Bond fame) wakes up in the midst of sagebrush with a mysterious gadget around his wrist and no idea who he is--but he sure does remember how to take care of the bounty hunters who want to bring him in. His path soon crosses with a ruthless cattle baron named Woodrow Dolarhyde (Harrison Ford, of Indiana Jones fame), who's not too happy with Lonergan, who got Dolarhyde's son in trouble. But their fracas becomes beside the point when spaceships descend and start lassoing people like cattle. The humans, including a mysterious woman (Olivia Wilde, Tron), a Native American tribe, and some snaggletoothed outlaws, band together to fight off this invasion from another world. The first two-thirds of Cowboys & Aliens is peppy fun, with its tongue-in-cheek Wild West-ness and colorful supporting cast (including Sam R! ockwell, Keith Carradine, Paul Dano, and Walton Goggins) and fairly understated CGI. The last third, with the obligatory assault on the alien vessel and a mess of clichés and inconsistencies, deflates a bit, which isn't surprising given that six screenwriters were involved. Director Jon Favreau (Iron Man) does what he can to keep things lively. Fortunately, the good spirits of the first two-thirds will carry most viewers through to the end. --Bret FetzerThis box set includes 8 westerns, all containing elements of sci-fi, horror, robots, death rays, and mystery: Radio Ranch, Ghost Patrol, Tombstone Canyon, Riders of the Whistling Skull, Sky Bandits, Gun Packer, Saddle Mountain Roundup, and Vanishing Riders. Filmed two years before Predator, many have commented that Alien Outlaw could have been that film's inspiration -- An alien ship lands in a remote mountain location and its occupants go on a hunting party. And, yes, their prey is human! This science f! iction adventure has been praised for its subtle social comme! ntary an d humankind's relationship with guns, friends and nature. Fashioned like an old comic book story, ALIEN OUTLAW is the second film that B-Western film star Lash La Rue did for Writer/Director Phil Smoot. Always starring in cowboy flicks that featured him with a whip, La Rue said, "They just won't let me put that thing down!" But in his last leading role, Lash La Rue breaks the mold in a film that features both guns and horses but allows him to put down his trademark weapon. Perhaps, as a result, this has been called La Rue's finest film performance. Bonus Features: Uncut and Available for the first time in the USA| Contains a New Widescreen (1.66:1 Anamorphic) and a New Full screen version| Commentary track with both the Writer/Director (Phil Smoot) and the Editor (Sherwood Jones)| Meet the Legends: A one of a kind interview as Republic "B" Western Star, Sunset Carson, interviews legendary "King of the Bullwhip" Lash La Rue| Meet the Ingénue: Sunset'! s behind-the-scenes interview with newcomer Kari Anderson| Behind the News: News Conference before the filming| Behind the scenes: Home video footage on the set of Alien Outlaw| Trailer of The Dark Power with Lash La Rue. Specs: DVD9; Dolby Digital Mono; 90 minutes; Color; 1.66:1&1.33:1 Aspect Ratio; MPAA - NR; Year - 1985; SRP - $5.99.Studio: Video Communications Inc. Release Date: 10/18/2011

Blockbuster filmmaker Jon Favreau directs Daniel Craig and Harrison Ford in an event film for summer 2011 that crosses the classic Western with the alien-invasion movie in a blazingly original way: Cowboys & Aliens.  Joined by an arsenal of top moviemakersâ€"Steven Spielberg, Ron Howard, Brian Grazer, Alex Kurtzman and Roberto Orciâ€"he brings an all-new action thriller that will take audiences into the Old West, where a lone cowboy leads an uprising against a terror from beyond our world.

1875.  New Mexico Territory.  A stranger (Craig! ) with no memory of his past stumbles into the hard deser! t town o f Absolution.  The only hint to his history is a mysterious shackle that encircles one wrist.  What he discovers is that the people of Absolution don’t welcome strangers, and nobody makes a move on its streets unless ordered to do so by the iron-fisted Colonel Dolarhyde (Ford).  It’s a town that lives in fear.

But Absolution is about to experience fear it can scarcely comprehend as the desolate city is attacked by marauders from the sky.  Screaming down with breathtaking velocity and blinding lights to abduct the helpless one by one, these monsters challenge everything the residents have ever known.

Now, the stranger they rejected is their only hope for salvation.  As this gunslinger slowly starts to remember who he is and where he’s been, he realizes he holds a secret that could give the town a fighting chance against the alien force.  With the help of the elusive traveler Ella (Olivia Wilde), he pulls together a posse comprised of former oppo! nentsâ€"townsfolk, Dolarhyde and his boys, outlaws and Apache warriorsâ€"all in danger of annihilation.  United against a common enemy, they will prepare for an epic showdown for survival.. 

The script for Cowboys & Aliens is by Star Trek’s Roberto Orci & Alex Kurtzman  & Damon Lindelof (television’s Lost) and Mark Fergus & Hawk Ostby, screen story by Mark Fergus & Hawk Ostby and Steve Oedekerk, based on Platinum Studios’ “Cowboys & Aliens” created by Scott Mitchell Rosenberg. Grazer, Howard, Rosenberg, Kurtzman and Orci produce.  Spielberg, Favreau, Denis L. Stewart, Bobby Cohen, Randy Greenberg and Ryan Kavanaugh executive produce.  

This novelization is an exciting, action-packed story that starts with an amnesiac stranger and ends in a blaze of glory. Absolution, New Mexico, a town that lives in fear of its powerful benefactor, cattle baron Col. Woodrow Dolarhyde, is full of unhappy people--from the colonel's! spoiled, directionless son who tries to drink it dry, to the ! doctor-t urned-saloon-keeper stuck in the remains of what was once a gold-rush boom town, to the preacher who struggles to find meaning in a place that seems as lifeless as the arid desert around it.  But when a mysterious  stranger with an odd bit of hardware on his wrist arrives, he brings with him a new kind of trouble that nobody could imagine in their wildest dreams. 

     It's bad enough that the stranger is a wanted outlaw. But he's followed by murderous demons from the sky that attack the town and snatch away a bunch of townsfolk, including Dolarhyde's son. The posse that rides out to reclaim the abducted people encounters a series of obstacles that make the stranger's ominous presence seem almost like a good thing. Attacked by a murderous outlaw band, besieged by Apaches with no love for any white man,  and terrorized by the demons themselves and their terrible death-machines, no posse has ever had an adventure as strange as this one . . . 

Alive with the! color and spirit of the Old West and the sense of wonder of the most entertaining science fiction, this enthralling adventure is a unique and memorable experience readers won't want to miss.

A veteren rancher risks everything when he recruits schoolboys to man a dangerous cattle drive. One of John Wayne's solid twilight hits, co-starring Bruce Dern and Colleen Dewhurst. Year: 1972 Director: Mark Rydell Starring: John Wayne, Roscoe Lee Browne, Bruce DernNotorious as the first John Wayne film that does the unthinkable--subject Wayne's character to a nasty fate after only a short time--the 1972 Cowboys isn't much more interesting beyond that. The story finds Wayne playing a rancher who takes 11 boys on a cattle drive. They run into a nut case (Bruce Dern) who deprives the kids of their leader, and the rest of the film is a tale of revenge. Mark Rydell (Cinderella Liberty) directs an unexciting production, although performances by some of the! younger actors such as A. Martinez and Robert Carradine are m! emorable . --Tom Keogh

Read more »

Fotodiox Lens Mount Adapter - Canon FD, New FD, FL Lens to Canon EOS Camera Adapter, for Canon EOS 1d, 1ds, 1ds Mark II, III, IV 5D, 5D Mark II, 7D, 10D, 20D, 30D, 40D, 50D, 60D, Rebel xt, xti, xs, xsi, t1i, t2i, 300D, 350D, 400D, 450D, 500D, 550D, 1000D

• All Metal Design
• Built-in 1.4x Multi-Coated Focusing Correction Lens
• Removable Glasss Element for Macro Photography
• Smooth surface for effortless mount
• 24 Month Manufacture Warranty

DETROIT 9000 - DVD MovieThis snappy, cynical cop thriller was marketed as a "blaxploitation" film when released in 1973, but it's really a mixed-cast godson of The French Connection and The Seven Ups set in the racially volatile cauldron of 1970s Detroit. Alex Rocco (Moe Green from The Godfather) stars as a veteran detective on the Detroit police force, a sinus-infected loner who's bitter from constantly being passed over for promotion. Assigned to a political powder keg--the high-profile heist of a black gubernatorial candidate's big money fundraiser--he's paired up with an educated, smart-dressing black hotshot (Hari Rhodes), a fast-rising star in the ! department. These guys are no Lethal Weapon act; they may earn a grudging mutual respect but never really like or trust one another. The climactic 25-minute chase is edgy and lean and very violent, spiced with big bloody gunshot wounds and victims writhing in tortured death spasms, and the film concludes on an unusually satisfying note of ambiguity and cynicism. Marks went on to direct Friday Foster and J.D.'s Revenge. The title, by the way, refers to the police code for "officer in trouble." Virtually unseen since its premiere, it was rescued by Quentin Tarantino's Rolling Thunder label for a brief theatrical revival and subsequent video release. --Sean AxmakerThis snappy, cynical cop thriller was marketed as a "blaxploitation" film when released in 1973, but it's really a mixed-cast godson of The French Connection and The Seven Ups set in the racially volatile cauldron of 1970s Detroit. Alex Rocco (Moe Green from Th! e Godfather) stars as a veteran detective on the Detroit ! police f orce, a sinus-infected loner who's bitter from constantly being passed over for promotion. Assigned to a political powder keg--the high-profile heist of a black gubernatorial candidate's big money fundraiser--he's paired up with an educated, smart-dressing black hotshot (Hari Rhodes), a fast-rising star in the department. These guys are no Lethal Weapon act; they may earn a grudging mutual respect but never really like or trust one another. The climactic 25-minute chase is edgy and lean and very violent, spiced with big bloody gunshot wounds and victims writhing in tortured death spasms, and the film concludes on an unusually satisfying note of ambiguity and cynicism. Marks went on to direct Friday Foster and J.D.'s Revenge. The title, by the way, refers to the police code for "officer in trouble." Virtually unseen since its premiere, it was rescued by Quentin Tarantino's Rolling Thunder label for a brief theatrical revival and subsequent vi! deo release. --Sean AxmakerIf you have a SLR or DSLR camera and other maker/mount lenses, the Fotodiox Mount Adapters allow you to use your lenses on the film/digital camera body. Sharing lenses has some distinct advantages. Certain prime lens just can't be replaced, and you save cost of purchase lenses. ­Fotodiox offers a range of adapter from large format to smaller format digital adapters. Adapting larger format lens, i.e., large format - medium format, medium format - 35mm, excellent edge-to-edge sharpness; and the smaller 24x36 mm image field helps minimize the effects of lens distortion and aberration.

Read more »

Driven

• Officially Licensed
• Highest Quality Recording

When he was sixteen years old, Larry Miller came home one summer night to find all his possessions sitting in three bags on the porch of his darkened house. The door was locked. From those troubled and humble beginnings rose a man whose influence has touched, according to reliable pollsters, more than 99 percent of the population of Utah as well as myriads of people worldwide. Seven months before Miller passed away, he began working with Doug Robinson on this biography. Written in first person, the book talks about the many facets of Larrys life and legacy and speaks candidly about the people and experiences that influenced him. It doesn t just tell Larry Millers story, it shares lessons painful as well as joyful lessons he has learned from his experiences. This fascinating and inspiring biography includes:A moving foreword by Utah Jazz gr! eat John Stockton, An epilogue written by Gail Miller, Larry s wife, Numerous photographs, A firsthand look at the incredible breadth of Larry Miller s work and contributions in business, in sports, in the arts, in his support of the Joseph Smith Papers Project, as well as his personal humanitarian service, A full section addressing the question Larry was most often asked: How did you do it?A young hot shot driver (Kip Pardue from Remember the Titans) is in the middle of a championship season and is coming apart at the seams. A former CART champion (Sylvester Stallone) is called in to give him guidance.

DVD Features:
Audio Commentary:Commentary with Reny Harlin
Deleted Scenes:Deleted Scenes with commentary by Sylvester Stallone or production audio
Documentary
Other:"Conquering Speed Through Live Action and Visual Effects"
TV Special:"The Making of Driven" (HBO 1st look Special)
Theatrical Trailer:"Game Tr! ailer"

Motorsport movies have a lousy track record, so ! it's not surprising that Driven joins the ranks of previous race-car clunkers like Grand Prix, Le Mans, Bobby Deerfield, and Days of Thunder. To varying degrees, all of these films offer spectacular racing footage (especially Le Mans), but what is surprising is that Driven was written by its star and coproducer Sylvester Stallone, who shows virtually no sign of the talent that created Rocky over a quarter-century earlier. Under the tepid direction of Renny Harlin, this superficial speedfest fulfills its primary obligation--the racing sequences are adequately exciting, despite the Cuisinart editing and a glaring lack of kinetic continuity. But whenever this adrenaline-pumped drama gets off the track, well... let's just say it's a hybrid of Top Gun and Days of Thunder, but makes those Tom Cruise vehicles look masterful by comparison.

Stallone's a retired Grand Prix champion, called back into action by hi! s disabled crew chief (Burt Reynolds) to boost the career of a hotshot driver (Kip Pardue, the pretty-boy from Remember the Titans) who's trailing a German ace (charismatic Til Schweiger) in the current 20-race season. The female contingent consists of a reporter (Stacy Edwards, too talented for this tripe) who's writing about "male domination in sports"; Stallone's embittered, remarried ex-wife (Gina Gershon, parodying her bitchy persona); and the requisite kewpie doll (Estella Warren) who comes between Boy Wonder and the reigning champ. It's airhead melodrama all the way, so you'd better enjoy the breakneck racing scenes--including a ludicrous prototype-racer joyride through downtown Chicago--or you'll blow a piston on your straightaway sprint to the bad-movie finish line. --Jeff Shannon

Read more »

NEW for 2011! CypherTM Step 2 Dark Tan Optimizer By California Tan 6.8 Oz.

• Venti Sex [26] Bronzers release an optimized and sensual dark tanning power for extreme bronze color
• Delivers optimum skin rejuvenation and collagen production with advanced age-defying code of Cell Speak Complex
• Imparts cellular actives that improve overall skin tone and appearance with a double-acting dose of In2Cell Technology
• Builds deeper, darker color by unlocking the proteins essential to the coloration of melanin with D-Cypher Complex
• Maximizes results and boosts dark color with CuO2 and TRF 2010

A pulse-pounding cyber thriller starring Jeremy Northam (GOSFORD PARK, EMMA) and Lucy Liu (KILL BILL VOLUME 1, CHARLIE'S ANGELS: FULL THROTTLE), CYPHER is sure to entertain you! When computer expert Morgan Sullivan (Northam) joins a huge multinational company, he assumes a new identity and is sent undercover to investigate corporate espionage. Before long, he f! inds himself caught up in a vicious cycle of paranoia and mistrust. Then along comes Rita (Liu), a sexy and smart secret agent who informs Sullivan that he's being brainwashed and that she is the only one who can help him! Loaded with riveting twists and amazing special effects ... you're sure to applaud this fast-paced thriller!Cýphêr® Optimizer - Zesty Lime Verbena Fragrance Introducing the most advanced tanning technology in the world... Cýphêr® Optimizer with the revolutionary new Cell SpeakTM Complex. This tanning technology is the first that is able to mimic and communicate with the skin's natural functions during tanning to significantly increase melanin production by optimizing protein-binding reactions in the skin.

Read more »