Monday, November 14, 2011

He's Just Not That Into You

  • Remember that really cute guy who said he'd call.and didn't? Maybe He's Just Not That Into You. An all-star cast - Ben Affleck, Jennifer Aniston, Drew Barrymore, Jennifer Connelly, Kevin Connolly, Bradley Cooper, Ginnifer Goodwin, Scarlett Johansson and Justin Long - looks for love and finds laughs in this savvy, sexy, right-now romcom. Based on the runaway (like some guys you know) bestseller by
When we first meet rising young artist Angelique (Tautou), she is in the glorious throes of true love, and the whole world has seemingly fallen under her spell. Her handsome lover Loic is madly in love with her, her paintings are winning wide acclaim, and a glorious future seems all but assured. But Angelique's blissful world may not be as enchanting as it first seems, and in a quick startling moment, her life - and our understanding of it -seems to unravel in front of our eyes. Starring Audrey Taut! ou (Amelie), Samuel Le Bihan (Three Colors: Red).That adorable Audrey Tautou from Amélie plays the central role in this deceptive story of a rather unusual romance. It would spoil the film's clever design to reveal what happens halfway through He Loves Me, He Loves Me Not, so let's just say that Tautou plays a winsome girl in the sunny town of Bordeaux, whose relationship with a married doctor has more layers than first it seems. Samuel LeBihan, from Brotherhood of the Wolf, plays the doctor, but it's the casting of cutie-pie Tautou that sets up the movie's gradually sinister undertow. Director Laetitia Colombani's inventive structure plays a satisfyingly tricky game with the audience, and may have some viewers going back to the beginning to make sure they saw what they thought they saw. Just don't go in expecting Amélie part deux, and you should find this an ingenious little number. --Robert HortonThat adorable Audrey Tautou from AmÃ! ©lie plays the central role in this deceptive story of a r! ather un usual romance. It would spoil the film's clever design to reveal what happens halfway through He Loves Me, He Loves Me Not, so let's just say that Tautou plays a winsome girl in the sunny town of Bordeaux, whose relationship with a married doctor has more layers than first it seems. Samuel LeBihan, from Brotherhood of the Wolf, plays the doctor, but it's the casting of cutie-pie Tautou that sets up the movie's gradually sinister undertow. Director Laetitia Colombani's inventive structure plays a satisfyingly tricky game with the audience, and may have some viewers going back to the beginning to make sure they saw what they thought they saw. Just don't go in expecting Amélie part deux, and you should find this an ingenious little number. --Robert HortonTrish Ryan was the quintessential successful thirtysomething woman -- she had a career as an attorney, a nice car, and a succession of men clamoring for her affection. But despite all her accomplish! ments, the things by which she defined her life continually left her disappointed, especially when it came to dating.

Like the heroines of chick-lit novels and Sex and the City, she couldn't escape her bad luck with men: men who cheated, who left her, who made her a lesser version of herself. After years of trying everything out there to make love work -- new age philosophy, feminist empowerment, myriads of self-help programs -- she finally, hesitantly, decided to give Jesus a try.

HE LOVES ME, HE LOVES ME NOT is Ryan's story of how her search for the right guy turned into the search for the right God, and (spoiler alert!) how she ended up with the happily-ever-after ending.Remember that really cute guy who said he'd call....and didn't? Maybe He's Just Not That Into You. An all-star cast - Ben Affleck, Jennifer Aniston, Drew Barrymore, Jennifer Connelly, Kevin Connolly, Bradley Cooper, Ginnifer Goodwin, Scarlett Johansson and Justin Long - looks for l! ove and finds laughs in this savvy, sexy, right-now romcom. Ba! sed on t he runaway (like some guys you know) bestseller by Sex and the City series writers Greg Behrendt and Liz Tuccillo, He's Just Not That Into You sparkles with zingy aha moments any survivor of the dating wars will recognize. See it with someone you'd like to love.Based on the bestseller by two Sex and the City scribes, He's Just Not That Into You confirms that the HBO series was more than just a television show--it was a cultural institution that spawned tours, catchphrases, fashion trends, and more. Ironically, the resulting film is both smarter and funnier than the big-screen version of Carrie and the gang. Of the nine central characters, the sweet, if clueless Gigi (Big Love's Ginnifer Goodwin) makes the most vivid impression. The Maryland career girl tends to fall for friendly guys, like Conor (Entourage's Kevin Connolly), who are "just not that into" her. At a local watering hole, she meets bar manager Alex (Justin Long, Goodwin's Ed co! -star), who sets her straight about the difference between what men say and what they mean, adding that there are exceptions to every rule. Her seemingly settled co-workers, Beth (Jennifer Aniston) and Janine (Jennifer Connelly), have relationship issues of their own: Beth's boyfriend of seven years, Neil (Ben Affleck), doesn't believe in marriage, and Janine's husband, Ben (Bradley Cooper), has a wandering eye... for singer/yoga instructor Anna (Scarlett Johansson). Alt-weekly ad saleswoman Mary (executive producer Drew Barrymore) provides the link between this loose-knit community. An avid Internet dater and full-time technophile, she bemoans the fact that "people don't meet each other organically anymore." At 132 minutes, Ken Kwapis's movie could use a few trims, but he brings these complicated romantic entanglements to a convincing conclusion and the confessions from random passers-by add to the laughs. --Kathleen C. Fennessy

Here on Earth: A Natural History of the Planet

  • ISBN13: 9780802119766
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
The bestselling author of Turtle Moon and Practical Magic tells her most seductive and mesmerizing tale yet--the story of March Murray, who returns to her small Massachusetts hometown after nineteen years, encountering her childhood sweetheart...and discovering the heartbreaking and complex truth about their reckless and romantic love.

"A sound addition to an impressive body of work."--Boston Globe

"Sumptuous prose."--Denver Post

"Here on Earth is Hoffman's twelfth novel, and the spell she casts is stronger than ever."--Orlando Sentinel

* Includes a Reader's Guide

The New York Times bestseller and Oprah's Book Club selection...with a Reade! r's Guide included.Oprah Book Club® Selection, March 1998: Here on Earth is set in motion when March Murray and her teenage daughter travel from their California home to New England. Their stay is to be brief. Judith Dale, her childhood housekeeper-cum-foster mother, has died, and March must set things to right and get out of gloomy Jenkintown as quickly as possible. "Five days tops," she reassures her scientist husband. Instead, she is pulled back into the arms of Hollis, her first love--an avaricious, Heathcliff-like individual who radiates sulfur and cruelty. "She left and didn't come back, not even when he called her, and yet here she is, on this dark night; here and no place else." In this deep fable of loss and control, love and fear, Alice Hoffman allows us into her characters' cores and makes us wish their fortunes were happier. Here on Earth is filled with wisdom, what-ifs, and animals who seem, if not to know more than human bei! ngs, at least to know how to shy from danger.Chris Klein ("Ame! rican Pi e") and Leelee Sobieski ("Never Been Kissed") star in a "heartfelt story of romance, friendship and true love." (JUMP Magazine). Rich kid Kelley Morse (Klein) thought he had it all - money, good looks and a new Mercedes. But after a reckless car race destroys a roadside diner, Kelley finds himself sentenced to a summer of manual labor in a small town. That's where he meets and falls in love with Samantha, a girl from the other side of the tracks. But everything changes when Samantha's long-time boyfriend Jasper (Josh Hartnett, "The Faculty") uncovers their secret romance. This "sweet and romantic" (YM Magazine) tale of first love will capture your heart.Slumming among the locals of a small New York town, Kelley Morse (Chris Klein), graduating senior at a posh prep school and all-around insufferable rich kid, engages the testosterone of one of the hicks (Josh Hartnett) when he flirts with the guy's girlfriend, Samantha (LeeLee Sobieski). A car chase ensues, resulting in Sama! ntha's family's diner getting blown up, which in turn lands the boys in hot water with the law. The upshot is the snotty rich kid is sentenced to help the locals rebuild the diner. A romance develops between Kelley and Samantha, apparently because they like a particular Robert Frost poem. So now they're deep, see. But then their love is tested when Samantha contracts Ali MacGraw disease. You know, that's the sudden disease Ali McGraw gets in Love Story--really an excuse to emphasize the strength of the characters' love. You don't know what you got till it's gone, right? This film would be pretty bad if the performances weren't so engaging, especially LeeLee Sobieski's, who seems to be channeling Helen Hunt in this movie. Though Chris Klein never makes us believe for an instant that his arrogant character could make the changes he does, or that his and Sobieski's characters could ever really get together. The script is too thin to support any motivations, and the film! falls into formula weepy territory to appeal to teen tear duc! ts. Love rs of weepies might overlook the film's plot weaknesses in favor of the strong performances and the prospect of a good cry. --Jim Gay
Beginning at the moment of creation with the Big Bang, Here on Earth explores the evolution of Earth from a galactic cloud of dust and gas to a planet with a metallic core and early signs of life within a billion years of being created. In a compelling narrative, Flannery describes the formation of the Earth’s crust and atmosphere, as well as the transformation of the planet’s oceans from toxic brews of metals (such as iron, copper, and lead) to life-sustaining bodies covering 70 percent of the planet’s surface. Life, Flannery shows, first appeared in these oceans in the form of microscopic plants and bacteria, and these metals served as catalysts for the earliest biological processes known to exist. From this starting point, Flannery tells the fascinating story of the evolution of our own species, exploring several ear! ly human species—from the diminutive creatures (the famed hobbits) who lived in Africa around two million years ago to Homo erectus—before turning his attention to Homo sapiens. Drawing on Charles Darwin’s and Alfred Russell Wallace’s theories of evolution and Lovelock’s Gaia hypothesis, Here on Earth is a dazzling account of life on our planet.

Where's Amelia Earhart

  •  As world famous aviator Amelia Earhart closed in on her record-setting attempt to fly around the world in July 1937, she disappeared somewhere over the Pacific Ocean vanishing without a trace. Did she run out of fuel and crash into the sea? Or could she have survived?Investigators have built the case that Amelia Earhart was a pawn in an espionage plot for President Franklin D. Roosevelt, whi
Two-time Academy Award® Winner Hilary Swank delivers an unforgettable performance as Amelia Earhart, the legendary American aviatrix who boldly flew into the annals of history. Richard Gere co-stars as her charismatic business partner and adoring husband George Putnam. Bound by ambition and love, their enduring marriage could not be broken by Amelia's determination to fly -- nor her passionate affair with Gene Vidal (Ewan McGregor). Equal parts gripping drama, stirring romance and epic adventure, A! melia will take your breath away and send your spirit soaring!
  • Audio: English: 5.1 Dolby Digital
  • Language: Dubbed: English / Subtitled: English, French & Spanish
  • Theatrical Aspect Ratio: Widescreen: 2.35:1
With her lanky Middle-America looks and her toothy grin, Hilary Swank is a natural fit for the adventurous figure of Amelia Earhart, the world's most famous aviatrix. Amelia ticks through the major achievements of Earhart's career: her 1928 flight across the Atlantic (as a passenger, not a pilot), which made her the first airborne woman to make the trip; more triumphantly, her 1932 solo transatlantic journey; her marriage to publisher George Putnam; and of course the mysterious 1937 around-the-world flight that ended in her vanishing, with engineer Fred Noonan, somewhere near Howland Island in the mid Pacific. With Swank in her pilot togs and director Mira Nair at the helm, the project would seem to have the in! gredients for success, but the resulting film is a truly dull,! almost featureless affair. The big flights themselves have innate appeal, but otherwise the emphasis is on Amelia's love life, shared between Putnam (Richard Gere) and the dashing Gene Vidal (Ewan McGregor)--who, the film clumsily keeps reminding us, is the father of Gore Vidal, seen here as a precocious tyke. A smidgen of Amelia's proto-feminist attitude is included, including her intriguing take on her marriage agreement, but nothing actually cuts deep or generates interest. After a while Amelia becomes a series of events, told with less excitement than the average documentary on the same subject, albeit with prettier photography. --Robert HortonWhen Amelia's mom givs her a journal for her ninth birthday, Amelia has a place to share her truest feelings at last!Two-time Academy Award® Winner Hilary Swank delivers an unforgettable performance as Amelia Earhart, the legendary American aviatrix who boldly flew into the annals of history. Richard Gere co-stars as he! r charismatic business partner and adoring husband George Putnam. Bound by ambition and love, their enduring marriage could not be broken by Amelia's determination to fly -- nor her passionate affair with Gene Vidal (Ewan McGregor). Equal parts gripping drama, stirring romance and epic adventure, Amelia will take your breath away and send your spirit soaring!
  • Audio: English: 5.1 DTS HD Master Audio
  • Language: Dubbed: English / Subtitled: English, French & Spanish
  • Theatrical Aspect Ratio: Widescreen: 2.35:1
With her lanky Middle-America looks and her toothy grin, Hilary Swank is a natural fit for the adventurous figure of Amelia Earhart, the world's most famous aviatrix. Amelia ticks through the major achievements of Earhart's career: her 1928 flight across the Atlantic (as a passenger, not a pilot), which made her the first airbo! rne woman to make the trip; more triumphantly, her 1932 solo t! ransatla ntic journey; her marriage to publisher George Putnam; and of course the mysterious 1937 around-the-world flight that ended in her vanishing, with engineer Fred Noonan, somewhere near Howland Island in the mid Pacific. With Swank in her pilot togs and director Mira Nair at the helm, the project would seem to have the ingredients for success, but the resulting film is a truly dull, almost featureless affair. The big flights themselves have innate appeal, but otherwise the emphasis is on Amelia's love life, shared between Putnam (Richard Gere) and the dashing Gene Vidal (Ewan McGregor)--who, the film clumsily keeps reminding us, is the father of Gore Vidal, seen here as a precocious tyke. A smidgen of Amelia's proto-feminist attitude is included, including her intriguing take on her marriage agreement, but nothing actually cuts deep or generates interest. After a while Amelia becomes a series of events, told with less excitement than the average documentary on the sam! e subject, albeit with prettier photography. --Robert HortonThe book has no illustrations or index. Purchasers are entitled to a free trial membership in the General Books Club where they can select from more than a million books without charge. Subjects: Domestic fiction; Didactic fiction; England - Social life and customs - 18th century; Married women - England; Fiction / General; Fiction / Literary; Fiction / General; Fiction / Classics; Fiction / Sagas; Fiction / Literary; Fiction / MysteryNominated for five Academy Awards including Best Original Screenplay, this magical comedy earned overwhelming acclaim nationwide! A painfully shy waitress working at a tiny Paris cafe, Amélie makes a surprising discovery and sees her life drastically changed for the better! From then on, Amélie dedicates herself to helping others find happiness ... in the most delightfully unexpected way! But will she have the courage to do for herself what she has done for others?Perhaps! the most charming movie of all time, Amélie is certai! nly one of the top 10. The title character (the bashful and impish Audrey Tautou) is a single waitress who decides to help other lonely people fix their lives. Her widowed father yearns to travel but won't, so to inspire the old man she sends his garden gnome on a tour of the world; with whispered gossip, she brings together two cranky regulars at her café; she reverses the doorknobs and reprograms the speed dial of a grocer who's mean to his assistant. Gradually she realizes her own life needs fixing, and a chance meeting leads to her most elaborate stratagem of all. This is a deeply wonderful movie, an illuminating mix of magic and pragmatism. Fans of the director's previous films (Delicatessen, The City of Lost Children) will not be disappointed; newcomers will be delighted. --Bret FetzerEveryone's favorite literal-minded housekeeper, Amelia Bedelia, celebrates her 40th Anniversary in a three-book I Can Read box set.WHERE'S AMELIA EARHART - DVD Movie

Malcolm X (Two-Disc Special Edition)

  • Adapted from the novel, "The Autobiography of Malcolm X" written by Alex Haley, this is an amazing biopic of one of the most influential African American leaders to date. It follows the life and times of Malcolm Little through his transformation to Malcolm X and his departure from the Nation of Islam. Spike Lee's epic film captures the internal struggles, the spiritual, political and structural ch
Spike Lee directs this sizzling satire on race and racism within the modern media world. Starring Damon Wayons (Major Payne TV's In Living Color) and Jada Pinkett-Smith (Set It Off Scream 2 The Nutty Professor)Running Time: 136 min.System Requirements:Starring: Damon Wayans Jada Pinkett-Smith Michael Rapaport Tommy Davidson and Savion Glover. Directed By: Spike Lee. Running Time: 136 Min. Color. This film is presented in "Widescreen" format. Copyright 2000 Warner Home Video.Format: DVD MOVIE Gen! re: COMEDY Rating: R UPC: 794043519727Director Spike Lee has never shied away from controversy, and with Bamboozled he tackles a thorny mix of racism and how images are bought and sold. A frustrated TV writer named Delacroix (Damon Wayans), unable to break his contract, tries to get fired by proposing a new minstrel show, complete with dancers in blackface. But the network loves the idea, and Delacroix hires two street performers (Savion Glover, who is truly the finest tap dancer since Fred Astaire, and Tommy Davidson) whose hunger for success and ignorance of history combine to make them accept the blackface. Despite protests, the show is a huge success--but gradually, the mental balance of everyone involved starts to crumble. As an argument, Bamboozled is incoherent--but how can racism be discussed rationally in the first place? Lee takes a much braver approach: Every time something seems to make sense or make a point, he complicates the situation. At one! point, Delacroix goes to see his father, a standup comedian w! orking a t a small black club. Delacroix perceives his father as a broken failure. But his father's routine is full of articulate critiques of white hypocrisy, and the older man describes refusing to play the narrow movie roles that Hollywood had offered him, while Delacroix has convinced himself that his minstrel show is actually doing some social good. And what is the effect of the show itself? Lee obviously finds blackface abhorrent, but the minstrel routines are perversely fascinating and Glover's dancing, even when he mimics Amos and Andy-era routines, is outstanding. Most cuttingly, Lee points out parallels between minstrel and contemporary hip-hop personas. By the time it's over, Bamboozled won't have told you what to think, but you will have to think about these issues--and that alone is a remarkable accomplishment. --Bret FetzerSpike Lee directs this sizzling satire on race and racism within the modern media world. Starring Damon Wayons (Major Pay! ne TV's In Living Color) and Jada Pinkett-Smith (Set It Off Scream 2 The Nutty Professor)Running Time: 136 min.Format: DVD MOVIE Genre: COMEDY UPC: 794043527821Director Spike Lee has never shied away from controversy, and with Bamboozled he tackles a thorny mix of racism and how images are bought and sold. A frustrated TV writer named Delacroix (Damon Wayans), unable to break his contract, tries to get fired by proposing a new minstrel show, complete with dancers in blackface. But the network loves the idea, and Delacroix hires two street performers (Savion Glover, who is truly the finest tap dancer since Fred Astaire, and Tommy Davidson) whose hunger for success and ignorance of history combine to make them accept the blackface. Despite protests, the show is a huge success--but gradually, the mental balance of everyone involved starts to crumble. As an argument, Bamboozled is incoherent--but how can racism be discussed rationally in the first place? Lee tak! es a much braver approach: Every time something seems to make ! sense or make a point, he complicates the situation. At one point, Delacroix goes to see his father, a standup comedian working at a small black club. Delacroix perceives his father as a broken failure. But his father's routine is full of articulate critiques of white hypocrisy, and the older man describes refusing to play the narrow movie roles that Hollywood had offered him, while Delacroix has convinced himself that his minstrel show is actually doing some social good. And what is the effect of the show itself? Lee obviously finds blackface abhorrent, but the minstrel routines are perversely fascinating and Glover's dancing, even when he mimics Amos and Andy-era routines, is outstanding. Most cuttingly, Lee points out parallels between minstrel and contemporary hip-hop personas. By the time it's over, Bamboozled won't have told you what to think, but you will have to think about these issues--and that alone is a remarkable accomplishment. --Bret Fetzer! Hard-hitting and chock-full of original interviews with some of America's biggest political players and insiders, Angela McGlowan exposes liberals' 50 year SCHEME to bamboozle the poor and minorities into supporting a party that sells them out.  McGlowan, a Democrat-turned-Republican, reveals how the GOP better represents the values and interests of women, Latinos, and blacks.Director Spike Lee has never shied away from controversy, and with Bamboozled he tackles a thorny mix of racism and how images are bought and sold. A frustrated TV writer named Delacroix (Damon Wayans), unable to break his contract, tries to get fired by proposing a new minstrel show, complete with dancers in blackface. But the network loves the idea, and Delacroix hires two street performers (Savion Glover, who is truly the finest tap dancer since Fred Astaire, and Tommy Davidson) whose hunger for success and ignorance of history combine to make them accept the blackface. Despite protests, th! e show is a huge success--but gradually, the mental balance of! everyon e involved starts to crumble. As an argument, Bamboozled is incoherent--but how can racism be discussed rationally in the first place? Lee takes a much braver approach: Every time something seems to make sense or make a point, he complicates the situation. At one point, Delacroix goes to see his father, a standup comedian working at a small black club. Delacroix perceives his father as a broken failure. But his father's routine is full of articulate critiques of white hypocrisy, and the older man describes refusing to play the narrow movie roles that Hollywood had offered him, while Delacroix has convinced himself that his minstrel show is actually doing some social good. And what is the effect of the show itself? Lee obviously finds blackface abhorrent, but the minstrel routines are perversely fascinating and Glover's dancing, even when he mimics Amos and Andy-era routines, is outstanding. Most cuttingly, Lee points out parallels between minstrel and contempor! ary hip-hop personas. By the time it's over, Bamboozled won't have told you what to think, but you will have to think about these issues--and that alone is a remarkable accomplishment. --Bret FetzerDirector Spike Lee has never shied away from controversy, and with Bamboozled he tackles a thorny mix of racism and how images are bought and sold. A frustrated TV writer named Delacroix (Damon Wayans), unable to break his contract, tries to get fired by proposing a new minstrel show, complete with dancers in blackface. But the network loves the idea, and Delacroix hires two street performers (Savion Glover, who is truly the finest tap dancer since Fred Astaire, and Tommy Davidson) whose hunger for success and ignorance of history combine to make them accept the blackface. Despite protests, the show is a huge success--but gradually, the mental balance of everyone involved starts to crumble. As an argument, Bamboozled is incoherent--but how can r! acism be discussed rationally in the first place? Lee takes a ! much bra ver approach: Every time something seems to make sense or make a point, he complicates the situation. At one point, Delacroix goes to see his father, a standup comedian working at a small black club. Delacroix perceives his father as a broken failure. But his father's routine is full of articulate critiques of white hypocrisy, and the older man describes refusing to play the narrow movie roles that Hollywood had offered him, while Delacroix has convinced himself that his minstrel show is actually doing some social good. And what is the effect of the show itself? Lee obviously finds blackface abhorrent, but the minstrel routines are perversely fascinating and Glover's dancing, even when he mimics Amos and Andy-era routines, is outstanding. Most cuttingly, Lee points out parallels between minstrel and contemporary hip-hop personas. By the time it's over, Bamboozled won't have told you what to think, but you will have to think about these issues--and that a! lone is a remarkable accomplishment. --Bret FetzerSpike Lee is one of the most acclaimed and controversial directors of all time. Now five of his most provocative, thought-provoking films are available in one collection. From the breakout hit dramedy DO THE RIGHT THING to the gritty, urban CLOCKERS, Lee peels away life's layers, exposing the ironies, brutalities, rhythms and prejudices of the naked city in this powerful collector's set.Clockers
Based on the riveting bestseller by Richard Price, this 1995 crime drama was directed by Spike Lee with such authority and authenticity that it has the hyper-real quality of a stylized documentary. Fully capturing the thoroughly researched detail of Price's novel, the film focuses on Strike (newcomer Mekhi Phifer), a young, ambitious "clocker"--or drug dealer--who works the streets of his New York housing project, selling drugs for a local supplier named Rodney (played with ferocious charisma by Delroy Lindo). Just ! as Strike is struggling to get away from his dead-end life of ! crime, a nother dealer is murdered in a fast-food restaurant and local detectives (Harvey Keitel, John Turturro) consider Strike the primary suspect. In cowriting the script with novelist Price, Lee uses this murder mystery to explore the plague of guns and black-on-black crime in America's inner cities, in which drugs and death are familiar routines of daily life. The film doesn't pretend to offer solutions, nor does it dwell on the problem with numbing insistence. Rather, this taut, well-acted film takes the viewer into a world often hidden in plain sight--a world where options seem nonexistent for youth conditioned to have little or no expectation beyond a probable early death. Lee and Price are deadly serious in handling this volatile subject (which incorporates racism, powerless law enforcement, and political indifference), but Clockers is also blessed with humor, insight, and humanity. It's one of Lee's most confidently directed films, signaling a creative maturity that ! Lee continued to develop throughout the 1990s. --Jeff Shannon

Jungle Fever
Spike Lee's 1991 story about an interracial relationship and its consequences on the lives and communities of the lovers (Wesley Snipes, Annabella Sciorra) is one of his most captivating and focused films. Snipes and Sciorra are very good as individuals trying to reach beyond the limits imposed upon them for reasons of race, tradition, sexism, and such. Lee makes an interesting and subtle case that they are driven to one another out of frustration with social obstacles as well as pure attraction--but is that enough for love to survive? John Turturro is featured in a subplot as an Italian American who grows attracted to a black woman and takes heat from his numbskull buddies. --Tom Keogh

Do the Right Thing
Spike Lee's incendiary look at race relations in America, circa 1989, is so colorful and exuberant for its first three-quarters that you can almost forge! t the terrible confrontation that the movie inexorably builds ! toward. Do the Right Thing is a joyful, tumultuous masterpiece--maybe the best film ever made about race in America, revealing racial prejudices and stereotypes in all their guises and demonstrating how a deadly riot can erupt out of a series of small misunderstandings. Set on one block in Bedford-Stuyvesant on the hottest day of the summer, the movie shows the whole spectrum of life in this neighborhood and then leaves it up to us to decide if, in the end, anybody actually does the "right thing." Featuring Danny Aiello as Sal, the pizza parlor owner; Lee himself as Mookie, the lazy pizza-delivery guy; John Turturro and Richard Edson as Sal's sons; Lee's sister Joie as Mookie's sister Jade; Rosie Perez as Mookie's girlfriend Tina; Ossie Davis and Ruby Dee as the block elders, Da Mayor and Mother Sister; Giancarlo Esposito as Mookie's hot-headed friend Buggin' Out; Bill Nunn as the boom-box toting Radio Raheem; and Samuel L. Jackson as deejay Mister Señor Love Daddy. A rich a! nd nuanced film to watch, treasure, and learn from--over and over again. --Jim Emerson

Mo' Better Blues
With Mo' Better Blues, the story of a young trumpeter's rise to jazz-world stardom, Spike Lee set out to counter Clint Eastwood's cliché-ridden biopic of Charlie Parker in Bird. But the final product, a slick, glossy drama (with hip-hop jazz provided by Gangstarr no less), is just as superficial as the numerous Alger-esque stories of music stardom to which movie audiences are accustomed.

Denzel Washington gives a typically charismatic performance as the trumpeter in question, as does Wesley Snipes as his sax-playing rival. And as with most Spike Lee films, there are numerous solid performers in small roles such as Bill Nunn, Latin-music star Rubén Blades, and comedian Robin Harris. One character, however, attracted unwanted attention: John Turturro's role as an unscrupulous music-industry exec. Critics called the Turturro character, who! is at once money hungry, swarthy, and perpetually shrouded in! darknes s, a classic anti-Semitic caricature. But the charge seems almost irrelevant in Spike Lee's cartoonish, overstylized world of impossibly hunky jazzmen, curvaceous hangers-on, and incessant bebop. --Ethan Brown

Crooklyn
Spike Lee's semiautobiographical, 1994 film about the good and bad times for a Brooklyn family in the '70s has passion and nostalgic good feeling, but it is also a mess of random reflections and arbitrary storytelling. The centerpiece of the movie is a little girl (Zelda Harris) who views the ups and downs of her parents' experiences (mom and dad are played by Delroy Lindo and Alfre Woodard), and who navigates the life of her neighborhood. Lee tosses in a lot of '70s detail (watching The Partridge Family) and other diversions (Harris's journey through suburbia), but he has no master sensibility controlling the flow of it all. The film is more wearying than anything, although bright spots include Lindo's fine performance as a tale! nted man suffering from irrelevance. --Tom KeoghIt’s time to correct the madness.

Are you sure the beliefs you hold about the history of humanity are true? Have you ever wondered where biblically-based accounts and centuries-old traditions are rooted?

When the earliest civilizations began documenting the activities of humanity for posterity, they opened a field for recorded history upon which many would seek to play a part. Therefore, modern civilizations have trouble distinguishing recorded truth from recorded lies. Unraveling the truth of our origin is a task that calls for exceptionally sharp reasoning skills.

In BAMBOOZLED!, Timothy Aldred reveals the paradigm of deception to which generations of people have been taught to surrender their hearts and minds â€" in blind faith.

Who gains from the mindless devotion of the populace, generation to generation?

Come aboard for a refreshingly exciting! and unbiased view of humanity’s true origin! Examine ancien! t accoun ts of the early years and how they compare to the theologically faith-based views that have been used to control and manipulate millions of people for millennia.

Best of all, as never before, learn how to demystify and unravel biblical mysteries using good reason and accurate distinction. It is time to free your mind from over 2000 years of conditioned belief patterns. It’s vital for living!FEARED AND REVERED, MALCOM X CRYSTALLIZED THE HOPES AND DREAMS OF BLACKS, DEMANDING HUMAN RIGHTS FOR AFRICAN AMERICANS DURING THE RACIALLY TUMULTUOUS AND DIVISIVE DECADES OF THIS 1950S AND 60S UNTIL HIS 1965 ASSASSINATION IN NEW YORK, AT THE AGE OF THIRTY NINE.Just as Do the Right Thing was the capstone of Spike Lee's earlier career, Malcolm X marked the next milestone in the filmmaker's artistic maturity. It seemed everything Lee had done up to that point was to prepare him for this epic biography of America's fiery civil-rights leader, who is superbly playe! d by Oscar-nominated Denzel Washington, from his early days as a zoot-suited hustler known as "Detroit Red" to his spiritual maturity after his pilgrimage to Mecca, as a Black Muslim by the name of El Hajj Malik El Shabazz. Do the Right Thing climaxed with the photographic images of Malcolm X and Dr. Martin Luther King engulfed by flames of rage; Malcolm X explores the genesis and evolution of that rage over Malcolm's lifetime, and how these two great figures--held up to the public as polar-opposites within the African American human rights movement (King for nonviolent civil disobedience, Malcolm for achieving equality "by any means necessary")--were each essential to the agenda of the other. Lee careens from the hedonistic ebullience of Malcolm's early days to the stark despair of prison, from his life-changing conversion to Islam to his emergence as a dynamic political leader--all with an epic sweep and vitality that illuminates personal details as well as ! political ideology. Angela Bassett is also terrific as Malcolm! 's wife, Betty Shabazz. --Jim Emerson

Live Free or Die Hard [Blu-ray]

  • Condition: New
  • Format: Blu-ray
  • Widescreen
Bruce Willi stars as New York City Detective John McClane, newly arrived in Los Angeles to spend the Christmas holiday with his estranged wife (Bonnie Bedelia). But as Mclane waits for his wife's office party to break up, terrorist take control of the building. While the terrorist leader, Hans gruber (Alexander Godunov) round up hostages, McClane slips away unnoticed. Armed with only a service revolver and his cunning, McClane launches his own one-man war. A crackling thriller from beginning to end, Die Hard explodes with heart-stopping suspense.Die Hard is the movie franchise that made a movie star out of TV star Bruce Willis, and created an entire action-movie genre of its own. In the original 1988 film, Willis plays wisecracking New York cop John McClane, who arrives at the Nakatomi Plaza in Los Angeles to meet up with his e! stranged wife, Holly (Bonny Bedelia), at her office Christmas party. As luck would have it, the company ends up in the middle of a terrorist plot led by Hans Gruber (Alan Rickman) and his gang of expert killers, and with little help coming from outside, McClane has to pick off his enemies one by one. Thus was born the "Die Hard genre", epitomized by such films as Under Siege (" Die Hard on a ship"), Passenger 57 ("Die Hard on a plane" ), Speed ("Die Hard on a bus"), and Cliffhanger ("Die Hard on a mountain"). But few measure up to the explosive brilliance of Die Hard. Director John McTiernan develops the action at a fast and furious pace, culminating in some fantastic set-pieces on the top of the building, in the elevator shaft, and in the building's outer plaza. Jeb Stuart and Steven E. de Souza's script, based on Roderick Thorp's novel Nothing Lasts Forever, is smart, funny, and full of me! morable lines (among them "Welcome to the party, pal!" and of ! course " Yippee ki-ay, motherf*****"), and the cast is perfection, especially Rickman as the cunningly evil villain, and Willis, whose McClane character--bloodied, beaten, bruised, and barely breathing, as he battles both bad guys and bureaucrats--is someone audiences could genuinely cheer for. --David HoriuchiDie Hard
Bruce Willis stars as New York City Detective John McClane, newly arrived in Los Angeles to spend the Christmas holiday with his estranged wife (Bonnie Bedelia). But as Mclane waits for his wife's office party to break up, terrorist take control of the building. While the terrorist leader, Hans gruber (Alexander Godunov) round up hostages, McClane slips away unnoticed. Armed with only a service revolver and his cunning, McClane launches his own one-man war. A crackling thriller from beginning to end, Die Hard explodes with heart-stopping suspense.

Die Hard 2
Bruce Willis returns as the heroic cop who battles not only terro! rists, but also an incompetent airport police chief (Dennis Franz), the hard-headed commander (John Amos) of the Army's anti-terrorist squad and a deadly winter snowstorm. The runways are littered with death and destruction, and McClane is in a race against time. His wife (Bonnie Bedelia) is trapped on one of the planes circling overhead, which is desperately low on fuel. It's all-out war, a heart-stopping, jet-propelled journey filled with excitement and terror. Fasten your seat belts!

Die Hard 3
The third installment of the hugely succesful Die Hard series, reteams Bruce Willis and director John McTiernan in a new action/adventure extravaganza of special effects, unexpected comedy and non-stop thrills.

Live Free or Die Hard
"The best of the best is back and better than ever" (WNYW-TV) in the latest installment of the pulse-pounding, thrill-a-minute Die Hard action films. New York City detective John McClane (Bruce Will! is) delivers old-school justice to a new breed of terrorists w! hen a ma ssive computer attack on the U.S. infrastructure threatens to shut down the entire country over Independence Day weekend.Die Hard is the movie franchise that made a movie star out of TV star Bruce Willis, and created an entire action-movie genre of its own. In the original 1988 film, Willis plays wisecracking New York cop John McClane, who arrives at the Nakatomi Plaza in Los Angeles to meet up with his estranged wife, Holly (Bonny Bedelia), at her office Christmas party. As luck would have it, the company ends up in the middle of a terrorist plot led by Hans Gruber (Alan Rickman) and his gang of expert killers, and with little help coming from outside, McClane has to pick off his enemies one by one. Thus was born the "Die Hard genre," epitomized by such films as Under Siege ("Die Hard on a ship"), Passenger 57 ("Die Hard on a plane"), Speed ("Die Hard on a bus"), and Cliffhanger ("Die Hard on a mountain")! . But few measure up to the explosive brilliance of Die Hard. Director John McTiernan develops the action at a fast and furious pace, culminating in some fantastic set-pieces on the top of the building, in the elevator shaft, and in the building's outer plaza. Jeb Stuart and Steven E. de Souza's script, based on Roderick Thorp's novel Nothing Lasts Forever, is smart, funny, and full of memorable lines (among them "Welcome to the party, pal!" and of course "Yippee ki-ay, motherf*****"), and the cast is perfection, especially Rickman as the cunningly evil villain, and Willis, whose McClane character--bloodied, beaten, bruised, and barely breathing, as he battles both bad guys and bureaucrats--is someone audiences could genuinely cheer for.

Directed by Renny Harlin, the 1990 sequel, Die Hard 2 (unofficially referred to as Die Harder), doesn't match the level of the original, but it's still an exciting thrill ride with some terrific action sequen! ces. One year after the Nakatomi incident, McClane (Willis) is! awaitin g his wife's (Bedelia) plane to arrive at Dulles Airport when he stumbles onto a plot to paralyze the entire airport, including all the planes trying to land. It's up to McClane to take on the cadre of bad guys despite all the bureaucrats standing in his way, and before the planes run out of fuel and crash to the ground. The cast includes William Sadler as rogue military man Col. Stuart, Dennis Franz as the latest bureaucratic cop to get in McClane's way, Richard Thornburg as the annoying reporter from the original movie, John Amos as a special-forces commander, early-in-their-career John Leguizamo and Robert Patrick as terrorists, and future politician and Law and Order actor Fred Thompson as the head of air traffic control.

The third film in the series, Die Hard with a Vengeance (1995), was again directed by John McTiernan and uses a different concept. The villain (played by Jeremy Irons) claims to have planted bombs all over New York City and give! s John McClane (Willis), now alchoholic and separated, a series of clues to try to track them down. Along the way, he's aided by, and eventually teams up with, a Harlem shopkeeper named Zeus Carver (Samuel L. Jackson). The interplay between Willis and Jackson is engaging, but better suited to the Lethal Weapon franchise it was previously considered for, and not till the end does the movie return to the familiar McClane-vs.-villains-showdown format.

Twelve years after Die Hard with a Vengeance, the third and previous film in the Die Hard franchise, Live Free or Die Hard finds John McClane (Bruce Willis) a few years older, not any happier, and just as kick-ass as ever. Right after he has a fight with his college-age daughter (Mary Elizabeth Winstead), a call comes in to pick up a hacker (Justin Long, a.k.a. the "Apple guy") who might help the FBI learn something about a brief security blip in their systems. Now any Die Hard fan kn! ows that this is when the assassins with foreign accents and h! igh-powe red weaponry show up, telling McClane that once again he's stumbled into an assignment that's anything but routine. Once that wreckage has cleared, it is revealed that the hacker is only one of many hackers who are being targeted for extermination after they helped set up a "fire sale," a three-pronged cyberattack designed to bring down the entire country by crippling its transportation, finances, and utilities. That plan is now being put into action by a mysterious team (Timothy Olyphant, Deadwood, and Maggie Q, Mission: Impossible 3) that seems to be operating under the government's noses.

Live Free or Die Hard uses some of the cat-and-mouse elements of Die Hard with a Vengeance along with some of the pick-'em-off-one-by-one elements of the now-classic original movie. And it's the most consistently enjoyable installment of the franchise since the original, with eye-popping stunts (directed by Len Wiseman of the Underworld franc! hise), good humor, and Willis's ability to toss off a quip while barely alive. There was some controversy over the film's PG-13 rating--there might be less blood than usual, and McClane's famous tag line is somewhat obscured--but there's still has plenty of action and a high body count. Yippee-ki-ay! --David HoriuchiContains: *Die Hard *Die Hard Bonus Disc *Die Hard 2: Die Harder *Die Hard 2: Die Harder Bonus Disc *Die Hard: With a Vengeance *Die Hard: With a Vengeance Bonus DiscDie Hard is the movie franchise that made a movie star out of TV star Bruce Willis, and created an entire action-movie genre of its own. In the original 1988 film, Willis plays wisecracking New York cop John McClane, who arrives at the Nakatomi Plaza in Los Angeles to meet up with his estranged wife, Holly (Bonny Bedelia), at her office Christmas party. As luck would have it, the company ends up in the middle of a terrorist plot led by Hans Gruber (Alan Rickman) and his gang of expert ! killers, and with little help coming from outside, McClane has! to pick off his enemies one by one. Thus was born the "Die Hard genre," epitomized by such films as Under Siege ("Die Hard on a ship"), Passenger 57 ("Die Hard on a plane"), Speed ("Die Hard on a bus"), and Cliffhanger ("Die Hard on a mountain"). But few measure up to the explosive brilliance of Die Hard. Director John McTiernan develops the action at a fast and furious pace, culminating in some fantastic set-pieces on the top of the building, in the elevator shaft, and in the building's outer plaza. Jeb Stuart and Steven E. de Souza's script, based on Roderick Thorp's novel Nothing Lasts Forever, is smart, funny, and full of memorable lines (among them "Welcome to the party, pal!" and of course "Yippee ki-ay, motherf*****"), and the cast is perfection, especially Rickman as the cunningly evil villain, and Willis, whose McClane character--bloodied, beaten, bruised, and barely breathing, as he battles both ! bad guys and bureaucrats--is someone audiences could genuinely cheer for.

Directed by Renny Harlin, the 1990 sequel, Die Hard 2 (unofficially referred to as Die Harder), doesn't match the level of the original, but it's still an exciting thrill ride with some terrific action sequences. One year after the Nakatomi incident, McClane (Willis) is awaiting his wife's (Bedelia) plane to arrive at Dulles Airport when he stumbles onto a plot to paralyze the entire airport, including all the planes trying to land. It's up to McClane to take on the cadre of bad guys despite all the bureaucrats standing in his way, and before the planes run out of fuel and crash to the ground. The cast includes William Sadler as rogue military man Col. Stuart, Dennis Franz as the latest bureaucratic cop to get in McClane's way, Richard Thornburg as the annoying reporter from the original movie, John Amos as a special-forces commander, early-in-their-career John Leguizamo and Robert ! Patrick as terrorists, and future politician and Law and Or! der actor Fred Thompson as the head of air traffic control.

The third film in the series, Die Hard with a Vengeance (1995), was again directed by John McTiernan and uses a different concept. The villain (played by Jeremy Irons) claims to have planted bombs all over New York City and gives John McClane (Willis), now alchoholic and separated, a series of clues to try to track them down. Along the way, he's aided by, and eventually teams up with, a Harlem shopkeeper named Zeus Carver (Samuel L. Jackson). The interplay between Willis and Jackson is engaging, but better suited to the Lethal Weapon franchise it was previously considered for, and not till the end does the movie return to the familiar McClane-vs.-villains-showdown format.

Twelve years after Die Hard with a Vengeance, the third and previous film in the Die Hard franchise, Live Free or Die Hard finds John McClane (Bruce Willis) a few years older, not any happier, and just as kick-ass ! as ever. Right after he has a fight with his college-age daughter (Mary Elizabeth Winstead), a call comes in to pick up a hacker (Justin Long, a.k.a. the "Apple guy") who might help the FBI learn something about a brief security blip in their systems. Now any Die Hard fan knows that this is when the assassins with foreign accents and high-powered weaponry show up, telling McClane that once again he's stumbled into an assignment that's anything but routine. Once that wreckage has cleared, it is revealed that the hacker is only one of many hackers who are being targeted for extermination after they helped set up a "fire sale," a three-pronged cyberattack designed to bring down the entire country by crippling its transportation, finances, and utilities. That plan is now being put into action by a mysterious team (Timothy Olyphant, Deadwood, and Maggie Q, Mission: Impossible 3) that seems to be operating under the government's noses. Live Free or Die H! ard uses some of the cat-and-mouse elements of Die Hard! with a Vengeance along with some of the pick-'em-off-one-by-one elements of the now-classic original movie. And it's the most consistently enjoyable installment of the franchise since the original, with eye-popping stunts (directed by Len Wiseman of the Underworld franchise), good humor, and Willis's ability to toss off a quip while barely alive. There was some controversy over the film's PG-13 rating--there might be less blood than usual, and McClane's famous tag line is somewhat obscured--but there's still has plenty of action and a high body count. Yippee-ki-ay! --David HoriuchiDisc 1: **"Die Hard" Widescreen Feature with optional Commentary by director John McTiernan and production designer Jackson DeGovia **Additional scene-specific commentary by special effects supervisor Richard Edlund **Subtitled commentary by various cast and crew **Branching version with the extended power shutdown scene **DVD-ROM - script-to- screen comparison

Disc 2: **"Die Harder"! Widescreen Feature **Directors commentary

Disc 3: **"Die Hard with a Vengeance" Widescreen Feature **Directors commentary

Disc 4 Bonus Disc: **Inside Look: LIVE FREE OR DIE HARD **Wrong Guy, Wrong Place, Wrong Time: A Look Back At Die Hard **The Continuing Adventures of John McClane Die Hard is the movie franchise that made a movie star out of TV star Bruce Willis, and created an entire action-movie genre of its own. In the original 1988 film, Willis plays wisecracking New York cop John McClane, who arrives at the Nakatomi Plaza in Los Angeles to meet up with his estranged wife, Holly (Bonny Bedelia), at her office Christmas party. As luck would have it, the company ends up in the middle of a terrorist plot led by Hans Gruber (Alan Rickman) and his gang of expert killers, and with little help coming from outside, McClane has to pick off his enemies one by one. Thus was born the "Die Hard genre," epitomized by such films as Under Siege ("Die Hard on a ship"), Passenger 57 ("Die Hard on a plane"), Speed ("Die Hard on a bus"), and Cliffhanger ("Die Hard on a mountain"). But few measure up to the explosive brilliance of Die Hard. Director John McTiernan develops the action at a fast and furious pace, culminating in some fantastic set-pieces on the top of the building, in the elevator shaft, and in the building's outer plaza. Jeb Stuart and Steven E. de Souza's script, based on Roderick Thorp's novel Nothing Lasts Forever, is smart, funny, and full of memorable lines (among them "Welcome to the party, pal!" and of course "Yippee ki-ay, motherf*****"), and the cast is perfection, especially Rickman as the cunningly evil villain, and Willis, whose McClane character--bloodied, beaten, bruised, and barely breathing, as he battles both bad guys and bureaucrats--is someone audiences could genuinely cheer for.

Directed by Renny Harlin, the 1990 sequel, Die Hard 2 (unofficially referred to as Die Harder), ! doesn't match the level of the original, but it's still an exciting thrill ride with some terrific action sequences. One year after the Nakatomi incident, McClane (Willis) is awaiting his wife's (Bedelia) plane to arrive at Dulles Airport when he stumbles onto a plot to paralyze the entire airport, including all the planes trying to land. It's up to McClane to take on the cadre of bad guys despite all the bureaucrats standing in his way, and before the planes run out of fuel and crash to the ground. The cast includes William Sadler as rogue military man Col. Stuart, Dennis Franz as the latest bureaucratic cop to get in McClane's way, Richard Thornburg as the annoying reporter from the original movie, John Amos as a special-forces commander, early-in-their-career John Leguizamo and Robert Patrick as terrorists, and future politician and Law and Order actor Fred Thompson as the head of air traffic control.

The third film in the series, Die Hard with a Veng! eance (1995), was again directed by John McTiernan and use! s a diff erent concept. The villain (played by Jeremy Irons) claims to have planted bombs all over New York City and gives John McClane (Willis), now alchoholic and separated, a series of clues to try to track them down. Along the way, he's aided by, and eventually teams up with, a Harlem shopkeeper named Zeus Carver (Samuel L. Jackson). The interplay between Willis and Jackson is engaging, but better suited to the Lethal Weapon franchise it was previously considered for, and not till the end does the movie return to the familiar McClane-vs.-villains-showdown format.

The 2007 Die Hard Collection is a four-disc set that comes up short when compared to the previous six-disc Ultimate Collection , which is now out of print. That 2001 set had two discs for each film (plus, Die Hard was a Five Star Collection release). This set does away with all of the second discs, though it retains the features that were on the movie-only discs, including director! commentaries and the seamlessly branched version of the first film with a scene added back in. There's also a brand-new fourth disc, but it's pretty minor. "Wrong Guy, Wrong Place, Wrong Time" is a 40-minute retrospective of the original movie. Wide-ranging but rather dull, it collects interviews with director John McTiernan, cinematographer Jan De Bont, screenwriters Jeb Stuart and Steven E. De Souza, other crew, and actors Reginald Veljohnson, Hart Bochner, and William Atherton. Also from 2007, "The Continuing Adventures of John McClane" looks at the second and third movies in the series. It's a mere 13 minutes and only interviews the two directors, Renny Harlin and (in new and old footage) John McTiernan. Last, three trailers for the 2007 film, Live Free or Die Hard, make this set look like something that was released merely to have something on the shelves while the new film was in theaters. --David HoriuchiBruce Willis stars as New York City Detecti! ve John McClane, newly arrived in Los Angeles to spend the Chr! istmas h oliday with his estranged wife (Bonnie Bedelia). As Mclane waits for his wife's office party to break up, terrorists take control of the building. While the terrorist leader, Hans Gruber (Alexander Godunov) round up hostages, McClane slips away unnoticed. Armed with only a service revolver and his cunning, McClane launches his own one-man war. A crackling thriller from beginning to end, Die Hard explodes with heart-stopping suspense.This seminal 1988 thriller made Bruce Willis a star and established a new template for action stories: "Terrorists take over a (blank), and a lone hero, unknown to the villains, is trapped with them." In Die Hard, those bad guys, led by the velvet-voiced Alan Rickman, assume control of a Los Angeles high-rise with Willis's visiting New York cop inside. The attraction of the film has as much to do with the sight of a barefoot mortal running around the guts of a modern office tower as it has to do with the plentiful fight sequences and the b! ond the hero establishes with an LA beat cop. Bonnie Bedelia plays Willis's wife, Hart Bochner is good as a brash hostage who tries negotiating his way to freedom, Alexander Godunov makes for a believable killer with lethal feet, and William Atherton is slimy as a busybody reporter. Exceptionally well directed by John McTiernan. --Tom KeoghJohn McClane takes on an Internet-based terrorist organization who is systematically shutting down the United States.

Twelve years after Die Hard with a Vengeance, the third and previous film in the Die Hard franchise, Live Free or Die Hard finds John McClane (Bruce Willis) a few years older, not any happier, and just as kick-ass as ever. Right after he has a fight with his college-age daughter (Mary Elizabeth Winstead), a call comes in to pick up a hacker (Justin Long, a.k.a. the "Apple guy") who might help the FBI learn something about a brief security blip in their systems. Now any Die Hard fan know! s that this is when the assassins with foreign accents and hig! h-powere d weaponry show up, telling McClane that once again he's stumbled into an assignment that's anything but routine. Once that wreckage has cleared, it is revealed that the hacker is only one of many hackers who are being targeted for extermination after they helped set up a "fire sale," a three-pronged cyberattack designed to bring down the entire country by crippling its transportation, finances, and utilities. That plan is now being put into action by a mysterious team (Timothy Olyphant, Deadwood, and Maggie Q, Mission: Impossible 3) that seems to be operating under the government's noses.

Live Free or Die Hard uses some of the cat-and-mouse elements of Die Hard with a Vengeance along with some of the pick-'em-off-one-by-one elements of the now-classic original movie. And it's the most consistently enjoyable installment of the franchise since the original, with eye-popping stunts (directed by Len Wiseman of the Underworld franchise)! , good humor, and Willis's ability to toss off a quip while barely alive. There was some controversy over the film's PG-13 rating--there might be less blood than usual, and McClane's famous tag line is somewhat obscured--but there's still has plenty of action and a high body count. Yippee-ki-ay! --David Horiuchi

Beyond Live Free or Die Hard


Live Free or Die Hard on Blu-Ray

Top U.S. Box Office of 2007

More from Fox


Stills from Live Free or Die Hard (click for large! r image)

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The third installment of the hugely succesful Die Hard series, reteams Bruce Willis and director John McTiernan in a new action/adventure extravaganza of special effects, unexpected comedy and non-stop thrills.The second sequel ! to the mold-making action film Die Hard brings Detective John McClane (Bruce Willis) to New York City to face a better villain than in Die Hard 2. Played by Jeremy Irons, he's the brother of the Germanic terrorist-thief Alan Rickman played in the original film. But this bad guy has his sights set higher: on the Federal Reserve's cache of gold. As a distraction, he sets McClane running fool's errands all over New York--and eventually, McClane attracts an unintentional partner, a Harlem dry cleaner (Samuel L. Jackson) with a chip on his shoulder. Some great action sequences, though they can't obscure the rather large plot holes in the film's final 45 minutes. --Marshall FineThe second sequel to the mold-making action film Die Hard brings Detective John McClane (Bruce Willis) to New York City to face a better villain than in Die Hard 2. Played by Jeremy Irons, he's the brother of the Germanic terrorist-thief Alan Rickman played in the origina! l film. But this bad guy has his sights set higher: on the Fed! eral Res erve's cache of gold. As a distraction, he sets McClane running fool's errands all over New York--and eventually, McClane attracts an unintentional partner, a Harlem dry cleaner (Samuel L. Jackson) with a chip on his shoulder. Some great action sequences, though they can't obscure the rather large plot holes in the film's final 45 minutes. --Marshall FineBruce Willis returns as the heroic cop who battles not only terrorists, but also an incompetent airport police chief (Dennis Franz), the hard-headed commander (John Amos) of the Army's anti-terrorist squad and a deadly winter snowstorm. The runways are littered with death and destruction, and McClane is in a race against time. His wife (Bonnie Bedelia) is trapped on one of the planes circling overhead, which is desperately low on fuel. It's all-out war, a heart-stopping, jet-propelled journey filled with excitement and terror. Fasten your seat belts!Directed by Renny Harlin, the 1990 sequel, Die Hard 2 (uno! fficially referred to as Die Harder), doesn't match the level of the original, but it's still an exciting thrill ride with some terrific action sequences. One year after the Nakatomi incident, McClane (Bruce Willis) is awaiting his wife's (Bonnie Bedelia) plane to arrive at Dulles Airport when he stumbles onto a plot to paralyze the entire airport, including all the planes trying to land. It's up to McClane to take on the cadre of bad guys despite all the bureaucrats standing in his way, and before the planes run out of fuel and crash to the ground. The cast includes William Sadler as rogue military man Col. Stuart, Dennis Franz as the latest bureaucratic cop to get in McClane's way, Richard Thornburg as the annoying reporter from the original movie, John Amos as a special-forces commander, early-in-their-career John Leguizamo and Robert Patrick as terrorists, and future politician and Law and Order actor Fred Thompson as the head of air traffic control. --! David Horiuchi"The best of the best is back and better tha! n ever" (WNYW-TV) in the latest installment of the pulse-pounding, thrill-a-minute Die Hard action films. New York City detective John McClane (Bruce Willis) delivers old-school justice to a new breed of terrorists when a massive computer attack on the U.S. infrastructure threatens to shut down the entire country over Independence Day weekend.

Twelve years after Die Hard with a Vengeance, the third and previous film in the Die Hard franchise, Live Free or Die Hard finds John McClane (Bruce Willis) a few years older, not any happier, and just as kick-ass as ever. Right after he has a fight with his college-age daughter (Mary Elizabeth Winstead), a call comes in to pick up a hacker (Justin Long, a.k.a. the "Apple guy") who might help the FBI learn something about a brief security blip in their systems. Now any Die Hard fan knows that this is when the assassins with foreign accents and high-powered weaponry show up, telling McClane that once again he's stu! mbled into an assignment that's anything but routine. Once that wreckage has cleared, it is revealed that the hacker is only one of many hackers who are being targeted for extermination after they helped set up a "fire sale," a three-pronged cyberattack designed to bring down the entire country by crippling its transportation, finances, and utilities. That plan is now being put into action by a mysterious team (Timothy Olyphant, Deadwood, and Maggie Q, Mission: Impossible 3) that seems to be operating under the government's noses.

Live Free or Die Hard uses some of the cat-and-mouse elements of Die Hard with a Vengeance along with some of the pick-'em-off-one-by-one elements of the now-classic original movie. And it's the most consistently enjoyable installment of the franchise since the original, with eye-popping stunts (directed by Len Wiseman of the Underworld franchise), good humor, and Willis's ability to toss off a quip while ! barely alive. There was some controversy over the film's PG-13! rating- -there might be less blood than usual, and McClane's famous tag line is somewhat obscured--but there's still has plenty of action and a high body count. Yippee-ki-ay! --David Horiuchi

Stills from Live Free or Die Hard (click for larger image)

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Gremlins (Special Edition)

  • A man buys a Mogwai as a Christmas present for his son. The young boy is told to keep the pet away from water, out of the light and never to feed it after midnight. Inadvertently, the creature is dampened and almost instantly, produces half a dozen furry replicas of itself --which continue to multiply and turn the small town upside-down. Format: DVD MOVIE Genre: HORROR Rating: PG
A man buys a Mogwai as a Christmas present for his son. The young boy is told to keep the pet away from water, out of the light and never to feed it after midnight. Inadvertently, the creature is dampened and almost instantly, produces half a dozen furry replicas of itself --which continue to multiply and turn the small town upside-down.Gremlins is a whee of a film (if you don't mind the occasional gross-out) from producer Steven Spielberg, writer Chris Columbus, and director Joe Dante. Zach Galligan is th! e young man whose inventor father (Hoyt Axton) gives him an odd Christmas present: a tiny, furry creature that comes with a set of rules: don't get him wet, don't feed him after midnight, and keep him away from direct sunlight. But Galligan breaks the first rule and the damp little critter pops out a dozen little offspring. Then the offspring break the second rule and, overnight, turn from cute furry guys to malevolent scaly guys with world domination on their mind. The only way to stop them: rule three. But it's an anxious (and extremely funny) battle to make it to daylight--and the bad gremlins find ways to multiply over and over. Great special effects and a gruesome sense of humor make this a wild (if occasionally dark and scary) ride. --Marshall Fine

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Overworked Manhattan coffee shop waitress Bella isn't looking forward to her 35th birthday. Stuck in a relationship with a married man for far too long, Bella takes a chance on frustrated novelist/taxi driver Bruno. Determined not to scare yet another man off with her dreams of marriage and family, Bella plays it cool and tells Bruno she hates children. A tough break for the womanizer since his ex-wife has just dumped two small children on him ... In her coffee shop world, Bella witnesses she's not alone in the bittersweet battle against romance's difficulties. Shy widower Paul struggles through the tender courtship of lively widow Emily. Ornery old Seymour gets a magical shot of youth when he falls for a sexy exotic dancer. Despite love's accompanying twists and turns, everyone holds out for the best. And the persistent Bella discover! s fairy tales can come true...even in New York City. Louise Lasser and Robert Modicka put their hearts into the story of a 60-ish couple trying to make a go of it, regardless of his friends' ridicule and her low self-esteem. Their honest acting nearly gives this failed attempt at a Woody Allen-style episode of Friends needed humanity. The problem? Lasser and Modicka are not the lead actors in this film, whose tritely punning title is about the extent of writer-director Amos Kollek's wit. Anna Thomson is the ostensible heroine in this story about the denizens of a New York City diner and their romantic travails. The 35-year-old waitress, unlucky in life and love, seems such a candidate for long-term therapy that her unconventional outlook isn't so much profoundly sympathetic as simply pathetic. Kollek also stretches credulity by allowing a sex-show performer to melt at the badgering appearances of one of her "clients," the creepiest of the whole lot. --Kevin Filips! kiALL NEW ZOMBIE SHIRT PRINTED ON HQ FIBER COTTON. IF YOU ! LOVE ZOM BIES, THIS IS A MUST HAVE!

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